You might be lucky, maybe he only wants your underpants!
click on the mitchmods label below for more captions
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Targetted
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More Art by Doodlefish
Following the recent, short post of Milk Outlets by Doodlefish,
a further selection of his beautiful and sexy imagery.
a further selection of his beautiful and sexy imagery.
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| Doodlefish - Ready for Play |
I'm not usually a fan of long hair but Doodlefish's shaggy haired hunks have an individualistic, earthy appeal that's enhanced here by manual work clothes and muscles bulging under tight restraint. The squared-off design of the rope harness displays the captive's upper-body bulk, but eliminates any chance of him using it to escape. He's coaxed into a humiliating, public display of milk production.
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| Doodlefish - Art Model |
Many a student has scratched some beer money by posing for an Art 'Life' class. Quentin Crisp, Britain's famous queer, made a career of it. It often means going nude (hence the Naked Civil Servant) but I imagine posing in shibari bondage is relatively rare. Our student here displays an interesting combination of post-adolescent nonchalance and bemusement about this requirement. I suppose the ciggy he is smoking may be contributing to that detachment (r whatever else he took last night).
My guess is the class resorted to restraint as the only way to make the unruly man keep still, but the art-work on the wall suggests they have employed this measure before. Such muscularity on one so young certainly deserves appreciation and there's no finer tribute than wrapping it in ropes as if it were too dangerous to be allowed freedom in a confined space. The leg suspension is a little unkind since it will become more than a little uncomfortable if the length of the class period stretches into multiple hours, but the rugby-style long socks he's wearing imply he's fitter and tougher than most.
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| Doodlefish - Not Again |
There's similar sporting background to this image with shorts, undershorts and long socks in evidence. It's clearly a locker-room ritual and I imagined it at first to be a private 'man of the match' ceremony enacted on the player adjudged to have put in the worst performance. If you think about it, over the course of a season of 30 or so matches, every man in the team would be liable to find himself in the bottom spot once, at least. Bottom seems to be the operative word here, judging by the condoms lying ready on the bench.
But no, it turns out that this is the team captain rewarding his team with a treat of their own choosing. It looks like every one of them is going to take full advantage of the offer. It must work as an incentive, though, because the title tells us that this has happened before. I suppose he doesn't want to change a winning formula so he takes the team's parts in good humour, offering half-hearted resistance and a request for them to be less rough. That seems to imply that he enjoys it as much as they do.
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| Doodlefish - Do Me A Favour |
There's an unintended embarrassment here with a parcel delivery man making an unfortunate discovery when a damaged box sheds it's contents on the customer's doorstep. He's terrified of being held responsible for the damage and also, I imagine, for discovering something that most men would prefer their delivery men not to know about. Luckily this customer is not at all worried about it, but sneakily takes advantage of the poor man's confusion by asking for a favour. It's not the obvious one suggested by this image, instead he invites him in to establish that the articles have not been damaged.
Most of these images have an explicit sequel and you can imagine what form this one takes. You should be able to track it down by visiting Doodlefish75 at 'X'. This image stands up on it's own, however, as a vivid illustration of frightened submissiveness by a very cute-looking guy. I'm a sucker for uniforms and shorts anyway, they seem to imply a certain level of 'amenability' to giving service. Name tags also contribute to that impression and I particularly like the way this one dangles in front of his crotch.
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| Doodlefish - Make Me Cum |
We've all had a go on those machines at fairgrounds where you manipulate a crane with a claw grabber to drop down onto a prize and retrieve it. I don't think I've ever seen anyone get a prize out from one so I'm all in favour of this alternative idea. The captive, relaxing on his cushion, seems to be unaware that he's on public display (free of charge) with strangers paying (small) sums of money for the chance to tease him into wetting his pants. The picture is about his looming, public embarrassment which can be a powerful thing in some parts of the world.
Other than enjoying his plight, there's limited reward for the on-lookers. There's a cup at the front of the case which suggests a (probably small) liquid prize for beating the challenge and they can have fun manoeuvring the vibrator (no it's not a microphone) into position and chasing him with it if he moves. However, I suspect it would be just as frustrating as the conventional fairground game. Why dispense with the claw, you might ask and I would agree. As far as I know the artist hasn't depicted that variant but there are other images in the series with the captive minus briefs but plus plug. This being a fantasy, he ultimately manages to fill the cup (via the rectangular drainage funnel just beyond the control buttons) and whitewash the inside of the cabinet.
Doodlefish also put a different captive into a glass case to be a commercial milk dispenser rather than a fairground entertainment (in Milk Outlets by Doodlefish).
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| Doodlefish - The Next Number |
This idea would certainly liven up bingo nights, which let's face it are a bit of a bore unless you have an engaging companion. The artist has made it even more interesting by portraying the balls as if they were like pool balls (i.e big and hard). Accommodating ninety of them would be a bit of a challenge for most men, a would-be 'shooter' would have to practice for months. Perhaps they start with ball-bearings and work up. At this level though he ought to be able to command an extra fee for pure entertainment value, perhaps selling tickets to the audience so they can kiss their lucky number and pop it in themselves.
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| Doodlefish - Room-mate's Noise 2 |
Anal experiences come high up this artist's pecking order and here's another rebellious young man getting his as a punishment for making too much noise with his music deck, disturbing his housemates and aggressively rejecting their complaints. I suppose it's debateable whether this is necessarily a punishment for him, there's hard evidence to the contrary, but being able to subdue and override an objectionable jerk is reward in itself for most of us. When the batteries run down and the music stops he may sing a different tune. And if he does like it? Well, why not do it to him again?
The timeless fashions of youth are nicely depicted here
and like most of this artist's images, it's very pleasing to the eye.
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| Doodlefish - Put It In |
Gay Asian artists seem to have a particular interest in exposing the foibles of their office superiors. This image shows such a boss who summons his employees to give him ritual humiliation. They arrive to find him undressed and in a receptive position for his preferred devices - animal ears and a bushy tail with handy butt plug for secure attachment.
Animal references also crop up in this artist's fantasy pictures which don't qualify for this blog, but the interest for me here is the deliciously snug-fitting underwear the boss is wearing. Needless to say, the pants soon vanish, as the laws of porn demand and as the title suggests it must!
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| Doodlefish - Time To Do You 2 |
This chap starts out in sports shorts but the naked version is relatively uncontroversial and another nice view of a pleasant, innocent fantasy. This artist's titles are rather uninformative and no use at all for search indexing but have the virtue of inviting you to imagine. As to what 'do you' means exactly, older visitors may recall a vintage, radio, comic association with this phrase, which shows humour hasn't changed very much over the years, it's just become less subtle.
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| Doodlefish - Loosen Up |
If you are going to self-censor work (which all bloggers have to do sometime) this is a marvellously clever way to do it and it probably ends up being more provocative (and more interesting) than the undisguised image would be. It's a subterfuge that is not easy for censoring computers to spot since it just implies, especially when the apparently bland title is added in. The image itself incorporates an element of the locker-room bondage ritual shown earlier but doesn't seem to be directly related to it subject-wise.
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| Doodlefish - Who's The Idiot Now? |
This seems to be a variation of the humiliated boss meme, but in an educational context. However, the man being taught his manners seems to be a sports coach rather than a conventional teacher. They used to double up roles when I was in that stage of my life, with sports or art master usually being a second string, but I don't know if it works like that now. The guys tormenting him don't seem to be sporting types, however, and the exam paper doesn't seem to have that connection either so it's all a bit puzzling.
None of this detracts from the splendid depiction of a handsome, chunky-thighed, games man, sexily stripped of his shorts and (soiled) underwear, but not his top or socks (I must admit, I share this artist's predilection for sports socks). The man at the centre of attention gazes up stoically, vacantly almost. as a very large vibrating plug is inserted into him from behind. The only preparation for this demanding test seems to have been a string of much smaller balls. This sub-dom imagery is superb but the reason why he is so acquiescent is a bit of a cheat. The idiocy referred to in the title is a student's interest in hypnosis which his mentor has ridiculed. Now the tables are turned and he is in it's grip, totally compliant (and hopefully, more accommodating of invasive devices).
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| Doodlefish - Tentacle Revenge 1 |
Octopii have become a regular feature at this blog of late (search 'octopus') and it's not surprising to find them groping their way into the work of an Asian artist. This invocation of a fisherman discovering an unusual species in his net is like something out of the 1001 Arabian nights but the traditional influences don't stop it having a subtle sexiness, possibly because we arrive at it forewarned about the rapacious tendencies of these creatures, which the strange appendages on their tentacles in this case do nothing to dispel. Doodlefish works his usual magic with the fisherman's appearance, conjuring up an intensely interesting, youthful masculinity.
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| Doodlefish - Tentacle Revenge 2 |
There is something very satisfying and sophisticated in the way this artist does not direct his tentacles to strip the unfortunate young fisherman naked, but merely to lift his apron and bare one leg so that the way is clear for him to be plugged at both ends. There's a sinister intelligence in the way the octopus has clamped his hands together to accomplish this.
At this point he seems to be teetering on the edge of his boat and is probably more worried about being pulled into the water and drowned, than the minor inconvenience of perfectly good food making it's own way into his intestines. It's even inducing a pleasurable response in the process, probably fuelled by his fear.
This is a great little series.
Back in the locker room, another player strips off to wash away the sweat and grime of the match and in the process reveals the weals left by shibari ropework (and possibly, punishment implements too). Already the other users have noticed the marks and are exclaiming in surprise and probably registering other emotions ranging from horror to arousal (as suggested by the basketball player's exploding drink).
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| Doodlefish - Locker Room Reveal |
Back in the locker room, another player strips off to wash away the sweat and grime of the match and in the process reveals the weals left by shibari ropework (and possibly, punishment implements too). Already the other users have noticed the marks and are exclaiming in surprise and probably registering other emotions ranging from horror to arousal (as suggested by the basketball player's exploding drink).
Little do they know that when the player turns round an even more unexpected sight will confront them, a chastity cage. It's already dripping with his sexual excitement at being 'found out' as a man who likes to be dominated and controlled in the crudest fashion. There is no way of knowing how the other men will respond. Some will be appalled, some amused, but there may be others who take advantage.....
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| Doodlefish - Let's See How Deep |
This isn't the official sequel but it fits that chain of thought. Some senior players have decided to exploit the opportunity to satisfy their own sadistic impulses. They've even brought toys of their own to the locker room. With a willing victim who knows where it will end?
For more visit Doodlefish75 at 'X' (with links to his Patreon pay site)
and Instagram
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Vintage Bondage - Leonard Chambers chained, roped and nude
Leonard Chambers was the subject of the very first Vintage Bondage post at mitchmen blog, back in 2015. Those images were chosen because they had more of a sense of a restraint about them than was usual in the 1950's. I added some more images from the same shoot to it not so long ago so you might like to check them out using the link just above.
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| Leonard Chambers in chains 1 (AMG) |
The original post featured rope bondage on a bench. These images feature chains and upright poses but they also capture the special qualities of this popular model. His canted head in the image above conveys a sense of thoughtfulness and sadness, as though he's a man contemplating his choices and the punishment for them. There's a better sense of his luxurious physique than in the first set, nicely oiled. The position of his hands obscures enough of his pouch to give a good sense of nakedness (with scope for lewder interpretations of what's going on out of sight).
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| Leonard Chambers in chains 2 (AMG) |
This picture obliquely suggests that the punishment might be a visit to the whipping post. Chambers strikes a proud, or you might say arrogant, defiant pose while facing the prospect of a barrage of pain. His raised arms give another a great view of his torso. The often maligned, posing pouch is fully visible but has the virtue of looking as if there is something inside it, neatly packaged. It's a puzzle to me why photographers didn't opt for a loin cloth design for images like this, when it was a common enough sight in the 'Sword and Sandals' movies of the time.
These images seem much influenced by traditional, medieval notions of martyrdom. That association may help to make them look more convincing but you have to give a lot of credit to the model here for creating a dramatic moment, when it is apparent on closer inspection that he is not secured to the post at all but holding it up and the supposed 'marble pillar' looks suspiciously like a roll of floor covering.
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| Leonard Chambers in chains 3 (AMG) |
He adopts the same look for this pose, but arguably looks more annoyed than defiant, perhaps because the level of restraint here is barely rudimentary. The chains don't look as if they'd withstand much force and even if convincingly secured it would be more symbolic than real. Just like the prison bars at the back, to be fair. Despite such quibbles, it's still a great image of a captive muscle hunk. The loop of chain brushing the front of his pouch adds an erotic frisson.
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| Leonard Chambers - Sheath 1 |
This extraordinarily atmospheric image is not an example of bondage exactly but the model has swapped his posing pouch for a 'sheath' that encloses his sex organ in fashion that seems to anticipate the chastity devices of recent years - symbolically again but still rather sexy. Notice that the background has become a classical ancient building, conjuring up fantasies of enslavement. It's the best image yet of Leonard's physique, when it's his turn to stand on the rostrum, he should fetch a good price!
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| Leonard Chambers - Sheath 2 |
In this open-legged frontal pose, Leonard looks more youthful, waiting with barely controlled agitation. His abs are tensed, clenched even, producing a startling effect of connectivity running down and disappearing into the sheath, which you can now see has a simple, draw-string hem, like a purse of olden days. It's a matter of taste whether this clever effect turns you on but it brings out something more widely appreciated - that the model's lower torso is shaved completely smooth for as far as the eye can see. The sheath may provide a cloak of modesty, but it draws attention to this nakedness. He is now seated before a Moorish arch raising the spectre of a different style of enslavement. No wonder he looks worried.
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| Leonard Chambers - Nude 1 |
After the tantalising sheath, a genuine, frontal, fully nude shot posed before a classical column.
We are fortunate that quite a lot of AMG images of Leonard like this have survived.
He looks relaxed and confident here having comfortably passed the male nudity size test.
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| Leonard Chambers - Nude 2 |
This image posed with a curtain pole brings out the full extent of Leonards shoulder development and upper body bulk. Model's training techniques in those days seemed to produce physiques with a natural, most attractive 'plushness'. Once again there's a vague connection with the bondage theme of this post,
the pole keeps the model's hands out of the way behind him and leaves his treasure trove unprotected. You only have to image his wrists being tied to the pole.
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| Leonard Chambers - Nude 3 |
This image creates a dramatically different torso effect. With Leonard's arm raised we see the intensely detailed muscles and stand-out veins of a body-builder training for competition by shedding fat. Presumably this is the same shoot as Nude 1, but the effect couldn't be more different.
Again there's a hint at bondage restraint, tied to the column.
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| Leonard Chambers - Rope 1 |
There's a strange affinity between naked men and thick rope. I suppose it hints at masculine labours. Leonard here looks back fearfully as if expecting a whiplash any minute to make him pull harder.
Rope also has a phallic quality for those inclined to see it (especially when it's dangling just in front of the model's pouch). It alludes to bondage fetish too although this one is really too thick for that purpose.
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| Leonard Chambers - Sailor with Rope |
Ropes like this are also inextricably linked with with sailing ships and sailors and few gay models escaped from beefcake posing sessions without having had to don the US Navy's distinctive sailor cap. This image was probably inspired by the many War movies of the era which showed bare chested, hunky sailors sweating under the pacific sun. Leonard looks as if he's trying to diligently perform a routine task in the nude (acting on perverse orders) but without losing his modesty. It makes a charming image, suggesting a man of sensitivity, needing protection and whom anyone might fall for.
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| Leonard Chambers - Nude 4 |
This was the barely legal nude in the 50's. It can be seen as a prissy, slightly feminine pose but Leonard gives it a great deal of dignity, preserving his modesty with a slightly anxious expression that suggests he's waiting for the call which will may oblige him to reveal all. Maybe an instruction to mount the rostrum he's standing on. His oily skin lends his lean physique a harder look here. The absence of hair on his flat, lower abdomen again creates a subtly erotic accent of total nudity.
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| Leonard Chambers - Pouch |
This version of the sitting pose is rather less dignified, positively coquettish, but it's interesting to see a very typical 50's glamour pose for ladies performed by a male. The angling of the lower body modestly obscures a woman's 'sensitive' areas but makes a man look uncharacteristically coy without hiding anything. The pouch too is less much elegant than a bikini but looks sexily loaded. If you've fallen in love with him, this image won't change your mind!
~
For more vintage bondage and related mitchmen posts click on the labels below
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Vintage Targeting
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| Irwin Horwitz captured by Eddie Williams (WPG) |
An unusually daring bondage image from WPG. The subject of abduction itself is controversial in any age and this image is realistically modelled compared with contemporary imagery with the wrist restraint looking snug and the ropes held by the abductor stretched tight. All this with both models completely naked.
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| Irwin Horwitz fights Eddie Williams (WPG) |
This image, possibly from the same series, shows Irwin holding his own against Eddie, an older man with superior size and muscle development. It's not obvious that it's the same location, but Eddie, at least, is still pouched here. Irwin seems to have a vicious hammerlock on his left arm.
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| Irwin Horwitz (WPG) |
Irwin's somewhat boyish appearance in the duals with Eddie, detract from their appeal for me, but this studio image portrays him in a much more desirable light, with decent, light musculature and a sexy smattering of body hair, especially in the lower regions.
Perhaps Irwin was trained and buffed up after being captured and this is him on his big day at the saleroom. He presents well.
And if you're wondering whether Eddie managed to fulfil his capture quota that day, up in the hills,
the image below may give you the answer.
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| Eddie Williams in chains (WPG) |
Eddie appeared in the same auction catalogue as Irwin, as Lot 112.
He protested to the end and this image captured the moment when he had to be whipped
to make him go onto the stage and mount the rostrum.
That sort of behaviour is counter-productive, it attracts the worst kind of bidders, the harsh disciplinarians and men who don't want the slave as a worker at all, just as a target for their venom.
~
I have added this post to the 'Vintage Bondage' and 'Targeted' series.
Click on the labels below for related posts (mitchmods for more captions)
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By Royal Command
A Ballet Troupe has been performing at the Palace
'The Nutcracker', of course
The King is known for his intense interest in Ballet
But what the King is really thinking is.....
Of course he is much too well-bred to say so.
Reluctance feeds the fires of desire.
Looks like a hot end for one man
and a happy ending for the other.
~
The splendid, original AI image was generated by muscleandboots
captions by mitchmen blog
click on mitchmods below for more captions
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The Art of Gilgamesh 4 - Zahir Captured 1
You can also start reading about Gilgamesh from Part 1 of this mitchmen series
click on pictures to enlarge
click on pictures to enlarge
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| 5 |
Zahir is looking for his friend, Jeff, who has been captured and taken to the castle.
Under cover of darkness he enters the place to investigate Jeff's whereabouts.
Under cover of darkness he enters the place to investigate Jeff's whereabouts.
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| 25 |
Seeing that the
entrance is guarded by two warriors, he decides to look for another way
to enter.
He finds a sewer that takes him to a vault
which seems to be deserted.
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| 42 |
He decides
to explore the tunnels. They seem to be very big and complex.
Suddenly he hears footsteps in the distance. He decides to stop and stealthily observe.
He doesn't realise he has been seen and is being stalked himself as he wanders the vault.
Suddenly he hears footsteps in the distance. He decides to stop and stealthily observe.
He doesn't realise he has been seen and is being stalked himself as he wanders the vault.
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| 50 |
Zahir sees there is a huge, muscular guard patrolling and decides to wait for him to pass.
But his own stalker is creeping ever closer, waiting for the right moment to attack.
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| 58 |
He hits Zahir with a huge cudgel, knocking him out.
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| 70 |
Hearing the commotion, the other guard comes to see what is happening
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| 72 |
They gloat over Zahir's fallen body and decide to strip him of his clothes.
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| 85 |
They lift Zahir between them and drag him away.
Zahir is now naked and without a weapon.
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| 86 |
It needs two of them to support the mighty Zahir on his shaky legs,
So they have to wade through the central drainage channel, splashing through the murky water .
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| 90 |
They drag him to a cell where the Guard unlocks and opens the door.
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| 91 |
They push Zahir inside and he collapses onto the floor in a pool of water
One captor scratches his head wondering why any man would be so foolish as to enter the vault.
One captor scratches his head wondering why any man would be so foolish as to enter the vault.
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| 99 |
The lock the door, leaving Zahir lying in the dirty water.
Then they go and report his capture to their master.
~
Has Zahir's rescue attempt ended in ignominious failure?
More of Zahir next time, read the full story of Zahir, (all 99 images) at pixiv
~
Gilgamesh Gallery Links (updated Jul 2024)
Pixiv has a comprehensive and well organised collection of his work with helpful narratives that add colour and background to the stories he tells. It's the most accessible gallery but recent releases (2024) have censored cocks, the explicit versions are posted on 'X' aka Twitter
There's a limited selection on DeviantArt including some older images which are not in the pixiv collection. They have escaped being censored somehow but tend to lack explanatory titles or narrative information, however, this site does provide an easily scannable overview of it's contents.
The X, ex-Twitter gallery appears to mirror the pixiv one but has explicit versions of recent images which are censored on pixiv. There's no overview, just sequential postings with the stories spread across them, broken up into four images per post. Gilgamesh has gone to the trouble of making sure they come out in the right order. There are slightly different comments, I haven't explored the site in great depth so it's possible there are works there that don't appear anywhere else.
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The Art of Gilgamesh 4 (cont) - Zahir Escapes
As always, here at mitchmen, the Christmas day post is dedicated to anyone who is alone or who feels alone at this time of year. I hope you enjoy this offering and all the other goodies from years gone by posted here.
~
Zahir's (somewhat grim) Adventure
Continues from Part 1
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| 1 |
Zahir awakes to find himself lying in a pool of dirty water in a cell.
He has been stripped of his weapons and all his clothes too are gone.
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| 2 |
He gets up and tries to open the door, but it is securely locked.
Angrily he shakes it, tries to bend the bars and finally kicks it in frustration.
It's all in vain and despite the noise he has made, no one comes.
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| 3 |
He gives up and lies down, wondering what his captors might do with him.
He fears they will never set him free but keep him as a prisoner forever.
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| 4 |
After a while, he manages to push these gloomy thoughts aside.
Looking around the cell, he notices a nail lying on the shelf.
He picks it up, imagining it must have been used to do terrible things.
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| 5 |
But then he realises that the nail might help him escape.
He tries to use it to pick the door lock.
But the lock is old and rusty, the workings are stiff.
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| 6 |
Zahir becomes more and more desperate.
But then suddenly he feels the lock give,
after a struggle, he manages to get the door open.
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| 7 |
Once out of the cell, Zahir stops to listen, hearing only distant echoes and trickling water.
Nail in hand, he heads off through the tunnels, hoping to find his way out.
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| 8 |
He's escaped just in time, because seconds later the jailer, Nam, arrives.
He's carrying shackles, intending to restrain Zahir and begin his interrogation.
Seeing the cell door open and the prisoner gone, he roars with anger
and cursing him, he sets off in pursuit.
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| 9 |
Ahead of him, Zahir has paused at a fork in the tunnels, already lost in the maze.
But hearing Nam's angry shouting behind him, he presses on, hastening his pace.
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| 10 |
But as he passes the next fork in the labyrinth, he is spotted by another guard, Siraj.
Siraj shouts for him to stop. Zahir attacks him, though armed only with his rusty nail.
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| 11 |
Siraj deflects the nail with his club, but is sent sprawling in the water by Zahir's kick.
The fight, though brief, has delayed Zahir long enough for Nam to catch up with him.
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| 12 |
Unknown to Zahir, there is yet another Guard not far away.
Essam is sadistically tormenting a mature, muscular prisoner in one of the cells.
The man is hung from the ceiling in shackles, his moans silenced by a metal gag.
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| 13 |
Hearing the commotion outside, Essam interrupts his work to listen.
As the shouting continues, he reluctantly leaves his prisoner to investigate.
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| 14 |
The prisoner watches Essam go, knowing it is only a temporary respite.
He feels pity for whoever it is that the guards are dealing with, out there.
*You might suppose that this is Jeff, whom Zahir has been seeking to rescue,
but Gilgamesh doesn't actually say so in his text.
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| 15 |
Essam arrives to find Zahir just in front of him, defying Nam's instructions to give up.
Essam leaps on him from behind and knocks him to the ground.
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| 16 |
Siraj comes to and sees to his astonishment that Essam has his head buried in Zahir's lap,
while Nam restrains him from behind.
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| 17 |
Nam hauls Zahir to his feet, pinning his arms firmly behind him.
His resistance has been drained by Essam's violent attack and distracting cocksucking,
But when he sees Siraj approaching, he realises his chance to escape has gone.
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| 18 |
Essam releases Zahir's cock from his mouth and forces his head down
bending him over, so that Siraj can put the manacles on his wrists.
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| 19 |
As soon as Zahir is secured, Nam drags him away, back towards his cell.
He mocks him for his aroused cock and promises painful retribution.
He mocks him for his aroused cock and promises painful retribution.
Essam studies Zahir's departing backside, sniffing the musk on his hands.
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| 20 |
He calls after Zahir, promising to come and visit, once he's settled in.
Then they can finish what they started - in private.
Zahir curses him, but a seed of fear and anticipation has been planted
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| 21 |
Laughing at his joke, Essam heads back, eager to resume work on his own prisoner.
His imagination has been fired up by the brief, sexy encounter with Zahir.
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| 22 |
The prisoner sees Essam returning and is filled with dread,
knowing that Essam will resume his 'examination' with renewed vigour.
It is he who will suffer because of the distraction.
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| 23 |
Siraj helps Nam to propel Zahir towards his own private hell
He caresses Zahir's hairy buttock, asking Nam what he will do with him.
"He's a strong
stud" Nam replies, smiling, "... so it's going to hurt".
~
This is a highly condensed and embroidered adaptation of Gilgamesh's story, which consists of no less than 222 frames depicting Zahir's muscular encounter with the castle guards.
Gilgamesh's own storyline can be read at pixiv where it is displayed alongside all the pictures in three parts: -
Vault Part 1 (Zahir Captured)
Vault Part 2.1 (Zahir Escapes)
Vault Part 2.2 (Zahir is recaptured)
The pictures at pixiv have been 'sanitised' and if you want to see the uncensored version you must head for 'X' where they are all posted (also with storyline) in 4 image episodes.
Vault Part 1 (post dated Apr 17th 2023)
Vault Part 2 (post dated Jun 4th 2023)
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Christmas Criminal
.jpg) |
| Mitchell - Apprehending the Christmas Criminal |
If you fancy a longer read with spanking content,
try Mitchell's Classic:-
~
Tomorrow 'Zahir's Adventure' concludes
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Morning Ride
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| 1 |
The Prince's stable-boy has earned privileged access to the seat of power. The prince loves his stallion.
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| 2 |
He knows he must maintain the dignity of his position.
Fortunately, the boy responds well to a stern hand.
Original image by muscleandboots
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After The Parade
It had become a weekly ritual. After the Parade, the Colonel would summon a selection of his Officers for a debriefing on how he thought it had gone. One or two of them would be commended for the way his men had turned out and then dismissed. The remainder would have the faults in their Divisions laid out in excoriating detail. The worst would suffer a spanking in front of their colleagues.
In pursuit of this method of instilling excellence, the Colonel had introduced a new Parade Dress Uniform for the Officers only. It looked wonderful, but the tight pants that replaced the normal riding breeches were made of the thinnest material imaginable. It was true that tough seats were not required for riding in a parade, but it ensured that any punishment afterwards would be much more painful. So thin was the material that the officers riding astride their horses could feel their butts tingling under the stares of the men riding behind them. When mistakes started to happen, they would buzz in anticipation of the inevitable retribution.
The inspiring original by muscleandboots @tumblr
For more captions click on the mitchmods label below
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The King's Mount
The inspiring original is by muscleandboots @tumblr
For more captions click on the mitchmods label below
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Targeted - Collar and Tie
Dave and Sam normally spent New Year in front of the TV.
They reckoned it was the best way to enjoy all the fireworks.
But this year they got a surprise, personal invitation to a private party.
It came from 'John', but they could guess which John it was.
The black dress code was a slightly daunting to Sam,
but Dave, who mixed in classy circles, was perfectly relaxed.
Plus, there was to be a spectacular display at midnight.
So they thought, Why Not? Enjoy the change.
Something out of their comfort zone, you might say.
The venue was already busy with guests when they arrived.
They didn't spot John amongst the crowd but
they were immediately offered free drinks and food,
so they were soon enjoying the party atmosphere.
About half past eleven, anticipation and excitement was rising.
Dave and Sam were both feeling distinctly mellow.
Then someone called for silence, he had an announcement to make.
He asked for the Guests of Honour to come to the stage.
Dave and Sam discovered it was they who were the Guests of Honour,
a group of burly men closed in and frog-marched them to the front.
Gazing out at the crowd, they realised they were all dressed in black leather.
But any feeling of being over-dressed was quickly taken away from them.
In fact, all their clothes were taken away from them, by muscular attendants.
They weren't exactly in good shape to resist, but tried their best.
The crowd appreciated their efforts and wild cheering broke out
as they were buckled into wrist suspension bars and their arms hoisted high.
In a final dramatic gesture, their attackers removed their underwear.
Sam cursed loudly as his new, Christmas, designer briefs were cut open.
It was little consolation when they were replaced by soiled jock straps
donated by audience members in the front row, their pouches still warm.
Thanking the donors, the MC reminded them of the Charity Auction
which would enable them to recover their property (with added interest!)
The front row audibly dissented, convinced that some rich bastard
would inevitably carry off the star prizes to some distant part of the globe.
'Big Ben' was invited to come to the stage to 'officiate' the midnight rites
The Guests of Honour would lead the count-down to the strokes of midnight.
That's 12 strokes each of course, he cackled, to uproarious laughter.
'Black Jack' was summoned to be his assistant and synchronise
Dave just had time to apologise to Sam before Big Ben gagged them both
So that they might bear the ritual strokes safely and with dignity.
Their only consolation was to be in the front row for the 'fireworks'.
But in all honesty, it would probably have been better on the TV at home.
~
for other captions, click on the 'mitchmods' label below
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Happy New Year to all my readers
A Big, Big Thank You!
to all my readers for your interest in my blog,
I hope mitchmen has managed to divert you from the tribulations of the world in 2024
HAPPY NEW YEAR!
from mitchmen blog
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101 Uses for a Belt - No 22 Wrapping a Present
I suppose New Year is an unconventional time for present giving.
I actually started wrapping this one two weeks ago,
but you know how difficult it is with odd shapes.
Especially when they don't want to be wrapped.
I missed Christmas and wasted 15 metres of wrapping paper.
Before I hit on this wheeze.
Still not as neat as I'd like, but there you go.
Or rather, that's the way he's going!
Bye bye Kevin!
~
For more Uses for Belts, click on the label below
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Spanking Art by Stonecrooze
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| Stonecrooze - Adrian's Ass Whuppin' |
'Adrian' gets to open this collection of spanking miscellanea by Stonecrooze, chiefly because he's a chunky lad with flaming ginger hair. His knee-high socks hint at an equally interesting connection with a contact sport, meaning that he's not averse to pain and well able to look after himself.
This is not an easy physique to balance on one's knees in reality, let alone an art construct, but this depiction is pretty convincing. Stonecrooze's art is crisp and colourful, uncluttered and easy on the eye. The subject matter is familiar, with fanciful exaggerations that reveal an appreciation of meaty men. He approaches their ordeals with dry wit and humour.
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| Stonecrooze -Cell Mates |
We tend to think of 'mates' as being friends, but the word also covers involuntary associations such as shipmates, teammates etc and both types come with boundaries and rules. Sharing a room with a complete stranger usually means 'the rules' are set by the stronger one of the pair. In prison, there's a risk of being thrown together with someone who finds that being a big fish in a tiny pond can be satisfying in ways that go beyond simply keeping good order.
This unfortunate man may have fallen foul of an unexpected housekeeping rule, like being untidy. Or he may have been indiscreet about something much more serious, like smuggling contraband. Being punished for it in such a ritualistic, humiliating way, however, is not the norm, suggesting it probably won't be the last time he goes bottom up across his cellmate's knee. Stereotypically in prisons, sex is the pitfall for the innocent, not spanking, but I wouldn't rule out that being the dessert course for him.
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| Stonecrooze -Cowboy Trip To The Barn |
You don't expect cowboys to be easy prey for spankers either, but you do expect ranches to be populated by strong personalities. This image accommodates that viewpoint with a distinct sense of resistance and struggle on the part of the intended victim, impeding the would-be perpetrator of rough justice. Despite his determined expression, the rosy cheeks indicate that he is fighting a losing battle, which is the way it has to be in these fantasies. It shouldn't be too easy, nor so hard as to discourage a repeat performance when the opportunity arises again.
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| Stonecrooze -Field and Stream |
An idyllic scene, one man, his dog and fishing rod, enjoying nature's bounty and getting up close and personal with it. Going commando is not without risk of discovery, even in the remotest terrain, and it looks like he and his dog have both detected an intruder. Let's hope it's a deer and not a game-keeper, because he's put himself in a tricky position if he's poaching.
You don't have to be a spanking fan to like looking at men's bums, and they often look even more attractive when they are the only part of the body that can be seen. That is, when they are bracketed by clothing, that has been raised or lowered, emphasising the incongruous absence in-between. Wading in water creates a similar, truncating, thigh-magnifying effect, with the added frisson of icy cold liquid splashing over unprotected, private parts from below.
Stonecrooze has gone for broke here by adding in canvas waders and if you've ever experienced wading through water in such a garment (or even just in wellies) you'll know that the strange sensation it produces, of being immersed but not immersed, is justifiably part of the lexicon of erotic experiences.
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| Stonecrooze -House Rules |
One of the delights of this artist's work is that his characters are fully grown men, which means that the spanking action takes place between equals in physical and emotional terms. But that does not necessarily mean they are complete equals in every respect. House Rules sounds rather parental, but the recipient here is clearly old enough to prevent their application to him if he chose, he could even walk away from them.
We don't know why he hasn't, but now he discovers that a hand slapping your buttock feels no less painful when you're a grown man than it did at a more tender age. The attendant humiliation of submitting to it is a hundred times worse. Stonecrooze's image catches beautifully the tide of rising misery in the victim's face, but I couldn't resist drawing that out further with my caption. Apologies to the artist if it offends!
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| Stonecrooze -Paddle Camp |
There are a variety of possible interpretations of this scene. Taken literally, the title suggests a sort of spanking festival
organised by the fraternity in a spot that's remote enough to provide
privacy, with random acts of domination meted out to relatively eager
campers.
However, it reminds me irresistibly of those early pictures of Tom of Finland where a young man is caught trespassing on private land or skinny-dipping where it's not allowed and punished on the spot. In this case, I see an irregular solo camper being taken to task for pitching his tent in a picnic area. Fortunately, the Ranger spotted him before spectators arrived to make things awkward.
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| Stonecrooze - Playing Doctor |
A Doctor who looked like this in real life would have a queue of gay patients lining up outside his door, and were it not for the steely look in his eye and the pot of lube on the table this might be taken for a perfectly innocent, professional consultation. A selection of paddles line the wall, but I've not worked out what the other objects lying on the table are. They suggest that this patient is going to get a combination of interesting therapies. He looks like he can take it.
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| Stonecrooze -Full Dose |
These days, people are more and more inclined to take charge of their own treatment, with the assistance of Doctor Google. It must be very frustrating for their regular clinicians. We can imagine this man urging the Doctor to give him the 'full dose', perhaps not imagining that in this clinic it's not a miracle drug but a giant paddle. He should have taken more notice of what's on the wall. The Doctor's mask makes sure that no unprofessional thoughts on his part are given away, but there must be times when the chance of paying-back an awkward customer is extremely satisfying.
Open-back surgical gowns are often unsatisfactory as erotic clothing, despite signalling a naked body hidden inside with easy access available, perhaps it's a little too easy to be sexy. Stonecrooze makes the best of it here, and arguably the revelation of tight, white underwear underneath the gown is sexier than complete nudity would be.
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| Stonecrooze -Set His Ass On Fire |
In the AI-age, fetish imagery is getting more and more realistic, but it often produces a surreal edge that enables the cartoonist to sneak in embellishments that convey things that are felt rather than seen without it seeming incongruous. Like the fiery pain of an ass that really is being seriously paddled, not just participating in a pretence.
The smoking bum is amusing, but the marvellous, graphic expression on the burly recipient's face here is priceless. It combines surprise with indignation and a blossoming change of mind, making it clear that it's no laughing matter as far as he is concerned. That makes it funnier of course and the burly build with a hint of sporting pedigree (rugby, I hope) somehow makes it seem like a well-deserved comeuppance even though we haven't a clue what he's done to deserve it, nor why he's agreed to take it. His red hair and flushed face make a witty connection with the unforgettable experience.
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| Stonecrooze -Spank him like a Ketchup Bottle |
A fair amount of this artist's work simply combines sexy pictures with amusing captions. In this case, he aptly exploits the colour of the hunk's hoodie. Those white, stretchy underpants would stop most of us in our tracks anyway, but the thought of turning him upside down to empty him out, down to the last drop, is alluring indeed! I'd make him take his smelly socks off first, though.
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| Stonecrooze -We Can Settle This Here |
The Cop who administers summary justice to offenders over the bonnet of his patrol car is a well trodden road in gay fetish art. Etienne composed a mini-series on the subject - Night Patrol, and there was a classic spanking video from the 90's (?), in which the unfortunate is taken to a barn, stripped and fiercely belted. It used to be a resident feature on sites like this. Stonecrooze's contribution to the genre is an offender with punk-like, militarily-cropped hair who does not submit willingly to the indignity of a semi-public spanking and a muscular cop (ready equipped with a thick paddle) determined to make sure he does, turning up a backside that truly deserves to be described as moon-like.
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| Stonecrooze - Whooped Farm Boy |
When the spanking is over, the chastened farm boy corrects his dress,
delicately avoiding abrasive contact with the seat of his jeans.
The pain will subside quicker than the humiliation.
The lesson, should last longer, but we may get lucky!
A simple adaptation of an already sexy image.
~
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Most Popular New Post of 2024 (MPP1)
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| Ain Postolous - Dungeon Bondage |
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The table below lists the most popular of the new mitchmen posts during 2024. I'm sticking with last year's method of simply counting hits with a mention of other factors in the notes.
(Titles have links to the original posts, column 4 shows hit rate ranking
On mobiles the table is best viewed by turning your phone sideways)
TABLE 1 - Top 20 New Posts of 2024 at mitchmen
Rank | Title (+link) | Total Hits | Hit Rate Ranking | Pub Month | Note |
1 | Ain Postolos - Recruiting Workers for the Milking Factory | 1475 | 1 | July | 1 |
2 | IFNB 3 - Naked Bodybuilders Newsletter | 955 | 9 | Feb | 2 |
3 | Art by Aizenhower | 744 | 12 | Apr | 3 |
4 | Art by JomsViking 1 | 735 | 17 | Jan | 4 |
5 | Defeated Army Enslaved | 698 | 13 | Apr | 4 |
6 | Enslaved Sailors by Planet Gay | 635 | 2 | Jul | 1 |
7 | Art by Catweazle | 633 | 7 | Jun | 6 |
8 | Milking Factory R&D (No18) | 594 | 3 | Jul | 5 |
9 | Milking Factory 16 by Gorounaoki | 571 | 14 | Apr | 5 |
10 | Brosfate 5 – The Art of Control | 546 | 4 | Jul | 6 |
| 11 | Mitchell's Cowboy Folio 8 | 516 | 18 | Apr | 4 |
12 | Captivity Art by Eclyom | 508 | 16 | May | 6 |
13 | The Art of Uruonurun - 1 Heroic Endings | 503 | 5 | Aug | 3 |
14 | Brosfate – Recent Highlights | 484 | 10 | Jul | 6 |
15 | The Art of Uruonurun – 2 | 461 | 6 | Aug | 3 |
16 | Vintage Bondage – James Seely | 459 | 19 | May | 7 |
17 | Homoeros – Ross In Trouble | 453 | 21 | Feb | 6 |
18 | Art by JomsViking 3 | 449 | 20 | Mar | 4 |
19 | Roman Prisoners of War | 429 | 15 | Jul | 1 |
20 | Etienne's 'Sailor Beware' and Royale Studio | 428 | 23 | Jan | 1 |
(Stats collected on 31st Dec 2024)
NOTES
7
1.
2024 was the year AI art really made its mark and Ain Postolos was the runaway winner of the 'Most Popular New Post' with the 'Recruiting Workers' article, a group of images which I cunningly wove into the Milking Factory saga, although strictly speaking, they are not true factory depictions. His winning total comfortably exceeded last year's winner (as did the runner-up). A separate Ain post with a better 'factory' feel - 'Milking Factory 19' failed to make the cut, but his present popularity is underlined by the continuing success of his debut post at mitchmen. 'The Season of Chastity' from Christmas of last year racked up 589 hits in 2024 alone, a total which would have propelled it into the top ten if I had admitted it. Its hit rate would have placed it just inside the top 20. This artist's work is extraordinarily sexy and he shares Absolut Bleu's love of exaggeration to almost unpublishable lengths. However, AI can trap artists into churning out more of the same, I hope he will broaden his range of subjects in the new year.
Two other AI posts made the top 20 - Planet Gay's reworking of an image from Etienne's marvellous 'Sailor Beware' story (at 6) and some images from 'Roman Prisoners of War', an anonymous artist (at 19). The Planet Gay post actually finished second in the 'rate' table, which takes account of time since publication. Coincidentally, it's subject, 'Sailor Beware' featured in another post (at 20) that presented fragments of a rediscovered, original version from the 1960s and linked it to Royale Studio's 'Shanghai'd Sailor' storyette (also newly-unearthed this year from early beefcake magazines). Posts about Royale Studio have now moved to the new Royale and Hussar blog.
2
There was a case of déjà vu next in the table with 'IFNB newsletter', the third in my series of articles about the 'International Federation of Naked Bodybuilders'. It finished as runner-up. I attempted to re-create the original fantasy and feel of the now-defunct IFNB website in this article and am pleased that it went down well with the fans who sorely miss the wit and craft of the original author. It's already showing signs of longevity, posting more hits in December than any other month since it was posted in February.
3
Third spot this year somewhat surprised me. Aizenhower's art veers between truly sensual imagery and outright cartoonery with fetish interests occasionally blended in. It's good, otherwise I wouldn't have featured it here, but doesn't strike me as blockbuster material. However, his result speaks for itself.
Uruonurun has a similar cartoon-driven style, but his hunting ground is 'young superhero' territory rather than Aizenhower's more romantic, retrospective fantasies. Uruonurun' s images are much more sexy, however, and seemed to be enthusiastically received by mitchmen readers. He got two articles into the table, and at one point I thought he was going to have a tilt at top spot. They ended up at 5th and 6th in the hit rate table, but only made 13th and 15th positions based on total hit counts.
4
Traditional, pencil on paper art was well represented this year by JomsViking with two posts that finished at 4 and 18 (with a third, Part 2 just missing the cut). It gives him a valid claim to be regarded as 'Artist of the Year', especially if you side with the AI nay-sayers! His comic style takes some getting into, there's no colour, the individual images are small, and he doesn't set out to be pretty, but there are some sexy gems lurking amongst the frames and the underlying abduction storylines are compelling
More traditional art is also represented in the table by my own 'Cowboy Folio No 8', placed at 11. I regarded the two images in this post as interesting ideas that hadn't developed into full pictures, but I polished them up for publication and gave them an AI gloss and am delighted with this result. A number of other posts in this series were also well received and one of my attempts at pure AI art, 'Experiment with a Swimmer' almost got into the top 20, scoring 406, so it's been a satisfying year for me. Both these were probably bolstered by some exposure on 'X', of which more in the next post
Perhaps the most surprising event this year was the first appearance of a truly traditional, painted, 'old master' artwork in the table. I think it's the first to even figure in the blog, let alone the top 20 table. 'Romans Under The Yoke' by Glyre headlined the 'Defeated Army Enslaved' post, which finished in 5th position. His treatment of the extraordinary mass humiliation of the Roman Army was as sensationalist as my post title, with fearful men passing under the severed heads of their comrades, so it's perhaps not so surprising that my readers should enjoy it! By chance, it happened to appear at almost the same time as the 'Roman Prisoners of War', some AI art (at 19) which perhaps shows there's never anything truly new.
5
Milking Factory posts have dominated this table in recent years, and they took 3 places this year, including Ain Postolos in top spot. Arguably though, Gorounaoki in 9th place was the most authentic of them, with a row of restrained captives giving their all, whereas 'R&D' in 8th position and Ain at the top illustrated 'behind the scenes' processes. I expect to see more fireworks from this series of posts in the 'all-comers' and 'all-time' tables.
6
Despite the AI-surge (if you'll pardon that expression), rendering
continued to be well represented in the table led by another newcomer, Catweazle at 7 with his man v
monster mini-epics which rely on the popular, fetish theme of 'man in mortal
danger, dressed only in skimpy clothing'. His images are not
gay nor overtly sexual but are nevertheless very sexy, and I accorded them 3 articles, unable to leave the subject alone. 'Leaves you wanting more' is an accolade for any artist.
Brosfate returned with two articles at 10 and 14 illustrating his continued progress in refining his technique with some truly stunning, new imagery. He made his name with 'Captured Soldier' but recent work has featured some promising domination storylines which only lack a similar dark intensity and maturity in the visual concept.
Some of Eclyon's art (at 12) will have been familiar to old hands, but I was pleasantly surprised to discover some experiments with epic-style, historical scenarios that bore comparison with PlanetGay's enslaved Egyptian adventurers.
The final render contributor is our old friend, Homoeros at 17. My 'Ross in Trouble' post was insubstantial, simply drawing attention to his new series, which felt like he was striking new ground in terms of the intimacy and intensity of the punishment scenario. That it should do so well is a tribute to the popularity of Mr H.
7
A photographic entry took top spot in this table last year, but this year's sole representative of that genre (excluding the IFNB photoshop post) was the first part of my profile of the vintage model James Seely, which finished in 16th place. I confess that I was captivated by his expressive face and sexy physique, and am relieved that it seems I'm not alone!
~
This year's table features articles based on photographs, comics, cartoons, renders, traditional art and AI. The wealth of gay, artistic talent enhances all of our lives in difficult times. Long may it continue!
~Next time - The most viewed post of all the posts at mitchmen during 2024.
A big, big Thank You!
to all my readers for your interest in my blog,
I hope mitchmen has managed to divert you from the tribulations of the world in 2025
HAPPY NEW YEAR!
from mitchmen blog
↧
Milking Factories by Hijaden2
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| Hijaden2 - Milk Collection 1 |
The artist does not describe this hall as a milking factory, but it seems to be set-up for collecting the stuff on a substantial scale, albeit in individual jars, not carried away in pipes. That suggests a focus on quality and traceability. The building architecture resembles the futuristic designs of Sci-fi sagas* and one could easily visualise robots periodically emptying and taking away the contents of the collection cylinders for processing. That would account for the spacious aisles.
*I suppose this might be the crew of a giant spacecraft in some sort of stasis during an interstellar voyage, but I can't recall the authors of such stories identifying an ability to produce milk in such a state. It might be a useful function if their mission is to found a human colony on a distant world. But if that is the case, I'm thankful that we are spared the sight of eggs being harvested from their female opposite numbers.
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| Hijaden2 - Milk Collection 2 |
This, more detailed, view reveals that the conditions for the donors in this place are pretty austere. They are totally naked and vacuum-packed inside rubber sacks. They sacks have a degree of transparency, which is useful for monitoring the condition of the donors, but perhaps discomforting for them. It certainly keeps the place tidy, but severely limits their movement, and you might think that the inability to feel any sort of sensual, skin contact might inhibit a man's ability to produce. However, I have observed that mummified men do have a disturbing ability to weep without very much stimulation. I imagine the extraction device is able to render assistance to them.
An overhead feed line provides air and, I dare say, water and essential nutrients too. You'll observe in picture 1 that the men seem to share these arrangements in pairs. It's not clear how this works, but one can imagine 'buddying up' being beneficial for the milkers The full cylinders and presence of a good, old-fashioned pump on the output tube implies that decent quantities are in fact produced. The control panel on the left even seems to have options for an external operator to make adjustments to optimise output further.
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| Hijaden2 - Milking Drones |
In this installation, the produce is carried away by a communal pipeline, implying that output volume is what matters most. The men are clad in tight-fitting latex suits and described as drones, with no visible individual identities. The men in the first facility seem to have allowed to choose their own positions before being sealed inside the vac pack. These drones are not afforded that, they cannot even move their heads because of the rigid feeder tube to which their helmets are attached. Their kneeling positions seem to imply that they are not passively extracted, but are expected to actively promote their own output. Fortunately, their helmets look as if they have the capability to assist, with visual stimulation.
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| Hijaden2 - Storage Facility |
In our enthusiasm for seeing men harnessed to the thankless task of producing milk for their masters, it's easy to overlook the biological fact that they have to rest and recover sometimes. A short pause 'on the job' can enable younger milkers to come back surprisingly quickly - given the right incentives and diet. But ultimately, even they will run out of steam and post-orgasm disinterest will take hold. I don't think there's a drug for that yet, but no doubt it will come one day.
Hijaden gives us a look behind the scenes with this storage facility for drones who need such a holiday from their endeavours. Chillingly, a rest does not mean that they can take off their suits, clean up and exercise as we would do. However, I imagine their owners have thought of that need and catered for it in some other part of the factory. This is the equivalent of bedtime for the men. We see them, still tightly packaged, being delivered by a robot transporter and stored away in an underground bunker to recover in comfort for the next shift.
Hijaden2 posts at 'X' and bsky.social (it's Musk-free equivalent)
This is Milking Factor No 20, go to Milking Factor 21 (link pending)
Click on the 'Milking Factory' label below
for all other posts on the subject at mitchmen blog
or the 'milking' label for all posts with milking imagery.
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Most Popular Post of 2024 (MPP2)
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| KW - The Farm |
Above: KW's 'The Farm' headlined the first 'Milking Factory' article,
which was the most visited of all the posts at mitchmen in 2024.
The table below lists the top 20. Commentary notes follow.
(Titles have links to the original posts ).
TABLE 1 - Top 20 Posts at mitchmen (in 2024)
Rank (last yr) | Title (+link) | Total Hits | Last year | Pub Date | Note |
1 (1) | 5355 | 7506 | 2017 | 1,5a | |
2 (2) | 4338 | 7187 | 2018 | 1, 5b | |
3 (3) | 2671 | 4332 | 2008 | 1 | |
4 (6) | 2572 | 2316 | 2008 | 1 | |
5 (5) | 2169 | 2551 | 2020 | 5c | |
6 (12) | 2001 | 1420 | 2018 | 1, 4 | |
7 (4) | 1936 | 2604 | 2012 | 6 | |
8 (9) | 1489 | 1502 | 2019 | 5 a | |
NEW | Ain Postolos - Milking Factory Recruits | 1475 | - | 2024 | 2 ,5 |
9 (8) | 1314 | 1549 | 2020 | 5c | |
10 (10) | 1170 | 1466 | 2018 | 5a | |
11 (-) | 1127 | 552 | 2023 | 3 | |
12 (11) | 1100 | 1437 | 2010 | 1 | |
13 (19) | 1088 | 1092 | 2020 | 5b | |
14 (13) | 999 | 1350 | 2020 | 6 | |
15 (18) | 965 | 1098 | 2018 | 5a | |
16 (-) | 955 | 763 | 2017 | 4 | |
NEW | 955 | - | 2024 | 2, 5b | |
17 (-) | Etienne/Stephen – Index to Articles | 933 | 786 | 2016 | 4 |
18 (-) | Art by Shenguanlin | 929 | 501 | 2023 | 3 |
19 (15) | 916 | 1200 | 2020 | 6 | |
20 (-) | The Art of Homoeros -1 (Beefcake Boys) | 911 | 779 | 2018 | 4 |
(Stats collected on 31st December 2024)
1
Since this table covers all 2000 posts at mitchmen, you would expect it to be quite volatile with new visitors bringing different interests to the fore, but in recent years it has been remarkably stable. In 2024 the 3 most visited posts were exactly the same as last year, with the first two well ahead of everyone else.
The rest of the top 10 were also the same but shuffled positions, except for 'Homoeros - Art of Crucifixion' which entered the top 10, rising six places to No 6. It replaced The Art of 'Muscle' Matt -1 which dramatically dropped out of the top 20 altogether after a run of popularity in the last couple of years.
Amazingly, two of the top 10 articles date from as far back as 2008 and none are more recent than 2020. This blog is retrospective in character but it's remarkable that so many of the classic fetish artists, like Brick, Cavelo and Mike Carcel, remain more popular than the many accomplished, newer ones. They share the same characteristic of being 'old-fashioned' art created by hand, not a keyboard. Computer techniques but don't seem able yet to capture that elusive element of authenticity and personality that creates lasting appeal. At the same time the repetition is a little depressing, I don't want this blog to become stale and fossilised!
2
As usual, I have hived off 2024's new posts into a table of their own (MPP1) because their initial flush of visits can mask the wider picture. I have shown where they would
have appeared, however, with entries in orange. Onlt two qualified, 'Ain Postolos - Milking Factory Recruits' would have taken 9th position leaving 'IFNB Newsletter' to share a revised 17th spot with Chirenon's enslaved Air Force Boys. It's hits in the second year and onwards that separate the new wheat from the chaff but, encouragingly, last year's winner of the new post category - 'Slave Training 11 – Cockaphobia' did well again, finishing just outside the top 20. The 2022 winner 'Brick's Slave Academy' also finished in the top 30.
3
In this sea of tranquillity, Shenguanlin managed to make a splash with two new entries at 11 and 18. His articles from 2023 were the only ones in the top 20 more recent than 2020. The first of his them probably got an extra boost from being part of the popular milking factory series (see 5 below). His art is high fetish and hits the button in the earthiest way imaginable. His brand of domination might not be everyone's cup of tea (if I may use that expression) but it's welcome here.
4
The other 3 'new' entries were actually returning to former glories. 'Etienne's Article Index' at 17 dates from 2016 and was unexpectedly top of this chart in 2020. It's resurgence is probably attributable to the flurry of articles at the blog related to his 'Sailor Beware' story, notably Planet Gay's re-interpretation of the desert trek inflicted on the captive, Navy boys.
Planet Gay's article also helped to pull Chirenon's Air Force boys back into the top 20 for the first time since 2020 (at 16). I used his image to promote the subject of desert abductions on 'X' and it seems to have drawn some new admirers. More about 'X' in the summary at the end of this post.
Homoeros' crucifixion images have an enduring popularity but his more vanilla work in the 'Beefcake Boys' post was last in this chart in 2020. It's the lead article for my series about him so it will tend to attract readers with an general interest in his work, they were prompted this year by the sexy 'Ross in Trouble' images that I featured in January.
Dropping out to make way for these new entries were - Homoeros Gallery Guide, Enslavement Art by Planet Gay, Exciting New Slave Academy Pictures by Brick, and The Art of Tentakun.
5
The 'Milking Factory' series has been hugely popular at this blog for several years now, so much so that it's hard to find something new to say about it! No 1 in the series finished in top spot again this year. It benefits from being the entry point for the whole series, but other MF articles claimed 4 more positions in their own right and together they made up 25% of the table. That's not even counting the new article (featuring AI images for the first time) by Ain Postolos.
The IFNB series is smaller, only 3 articles, so claiming 2 places in the chart (again not counting the newest one) is arguably an even greater achievement. It's in the nature of this field for talented artists to disappear without trace (having shot their load you might say), but this one, with his dry, witty commentaries is particularly missed. I attempted to emulate his style in IFNB3, but it's not the same.
Amalaric shouldn't be forgotten either with 2 articles steady in the top 10 reflecting the continued popularity of his photo manipulations.
6
The table is completed by a trio of talented artists with very different styles. Priapus of Milet is a familiar name here, a long time champion in the 'all time' table. He has moved with the times and it's hard to credit that his very modern style originated back in 2012. He's probably the greatest story-teller since Tagame, but with a more sophisticated, almost cosy line in threat and sexuality.
Brosfate at one time was the great rival to Amalaric in this table. He has slipped behind a little this year but his art too has evolved considerably and it's continued, deep-rooted popularity is well attested by 2 entries in the separate New Post category (MPP1).
Black Prof is a relative new boy but his cartoon-based bondage imagery is a visual delight. He exploits the medium to add drama and clarity. It's not really 'gay' art at all but he has the clever knack of making it seem so.
~
9 different years are represented in this year's table. There are no
photographic entries this year, but 5 are by photo-manipulators. 6 are by renderers, 7 by traditional artists (I have included Shenguanlin here) and 2 cartoonists. Together they represent the usual, eclectic range of interests.
The
mitchmen 'Index of Artists' page recorded 11710 hits in 2024, up 16% on
2023,but in line with the long term average. It would have easily taken
top place in the top 20 table. I'm glad visitors are still finding
the index useful and hope it will lead many more newcomers to a
fantastic heritage of gay art they didn't know about. Perhaps reflecting
that phenomenon, the 77 individual articles which registered increased hits reads like a revival of all the old classics:- Naomichi (+283%),
Manflesh, Etienne (Sailor Beware), Nath66, Ehrlich, Rex, Homoeros,
Quaintance, Teddy of Paris, Tom of Finland, Tagame, Sabian and Ulf. They were
interspersed with a gaggle of my own captioned images.
Overall hit counts at the blog, however, declined further this year by 20%. I believe this is mainly due to Google imposing sign-in barriers and also perhaps to the rising popularity of other outlets. I suppose my opening comments might also be taken as implying that recent articles may not as interesting or original as they used to be.
The decline prompted me to engage in some promotional activity by starting to post 'tasters' regularly on 'X', which has become a haven for fetish artists of late. I was surprised by the traffic levels there and initial results gave me much food for thought. The captioned image, 'After The Parade', which I posted on both platforms in December has presently attracted 85 hits on blogger and 1,300 on 'X'. An image from 'Cowboy folio No 8' has 136 hits on blogger and 403 (plus 4 'likes') on 'X'.
Posting at X requires a lot less effort and it's a good exercise in brevity for me, but it's format is not suitable for in-depth articles like this, so I don't envisage defecting there completely. There is some evidence that my posting there has improved footfall at this blog where visitors face exactly the same entry barriers as X. Hopefully the superior image display of blogger will keep them interested once they find me. Only time will tell. There's now a growing trend now, for artists to move on from 'X' to BSky Social which is a similar platform without the uninvited political views. I'll wait and see in that department.
~
Next time I will reveal the most popular mitchmen post of all time, based on cumulative hits,
To look at other charts for earlier years just click on the MPP label at the foot of this post.
Thanks to all of you for your continuing interest and support of mitchmen blog.
Keep the restraint tight in 2024!
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Art by Hijaden
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| Hijaden - Drone Initiates |
This is a very typical example of Hijaden's work, depicting two young men in the grip of hi-tech machines which hold them, suspended, in a forward arched position. They are dressed in close-fitting, rubber suits and subjected simultaneously to sensual deprivation and external stimulation. This suspension position with legs spread wide and very little support is quite demanding.
The setting is a Sci-fi environment, possibly alien, although the master of ceremonies here is remarkably humanoid in appearance. Hijaden calls the unfortunate captives, 'drones'. Their white suits seem to suggest a milking role, a modern update of the white suits of 1970's TV Milk ads. Milking isn't actually happening here, however. It appears that the colour is what identifies them as initiates. They will graduate to black suits in due course.
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| Hijaden - Milking Drones 1 |
Here we see two of the black drones, held in a similar arrangement and being milked by a robot arm. Their faces are masked and there's something going on between their buttocks, which make an eye-catching display. It would probably look even better if we could see the movement induced by the thrust and pull of their attachments. You have to wonder if someone is able to watch them through that panel they are facing.
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| Hijaden - Milking Drones 2 |
This close-up perspective is dramatic and sexy, although the detail is tantalisingly obscured. A similar arrangement to this memorably featured in Milking Factory 3 here at mitchmen. I can't class this as an entry in that series because there are only two donors in evidence and no sign that the milk is being collected. It would appear that the milking has a control purpose, rather than a farming one. Quelling their masculine urges and showing them who is in charge.
This image perhaps offers some explanation of the purposes and motivations. The young man here having his oral and reproductive functions put through their paces is under surveillance by unseen captors according to the title. It seems to imply that they are aliens, delving into the mysteries of human body functions. However, I wouldn't rule out fellow humans with the pocket to pay for all this gadgetry, enjoying the experiment. At least the aliens have an excuse for doing it. This man's milk is being collected, for analysis presumably, it wouldn't be a viable commercial process.
It's interesting here how unclothing the captive throws the focus of the image onto the machine. He's clearly being milked, but once again it's not obvious that the result of his efforts is being collected, although the top and base of the machine both seem to have hydraulic connections. There's something very business-like and economical about the mode of restraint, suspended from the ceiling and offering up the human to the machine. One can imagine a factory set up like this, where the milkers are rotated by robots, giving up their load to a central extractor and then moved away to rest and recharge while the next man takes their place. A nice dose of realism.
'The Pod' also sounds like a relaxing place to be, but it doesn't look very private. More like a sci-fi, display cabinet rather than a place to have a quiet doze. But it's a nice containment image. The user inside is restrained, in a mild-looking way admittedly, but someone has decided his limbs have to be prevented from moving. I wonder if he noticed the sign on the door behind him when he stepped into the pod (assuming he got in voluntarily, which I suppose we can't take for granted). The tube attached to his cock looks like a drainage arrangement of the toilet kind rather than a milking device, but if it's going to be very cold it's usually considered prudent to turn off outside taps so they can't leak.
This image obviously derives from the same line of thought as The Pod above. The user inside this container is unrestrained and floating in a medium that the colouring suggests is a fluid. Preservation springs to mind, and you may have noticed that the egg seems to have a decorative frame and been mounted on a stand. However, you can also see gas bubbles inside, like an aquarium, so we can hope this humanoid is capable of breathing in this situation, an alien conversion project, perhaps. That doesn't explain why he's got a raging erection (although it's also welcome evidence that he's alive).
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| Hijaden - Drone Milking Sessions |
This is the nearest I have seen Hijaden come to depicting a milking factory that utilised those marvellous arching positions. Again, though, no collection equipment is shown, and with the drone's bodies stripped naked, the scene is more suggestive of a prolonged torment of unsatisfiable erections.
It's not clear how the suspended, black-suited, visitor drone fits into the picture. His open legs suggest he is going to be dropped onto those primed erections, one by one, to perform the milking of each and every man (sorry drone) without even laying a hand on them. In that case, it's clearly not going to be collected for onward use.
*In a separate, recent post, I have presented two examples of mass milking establishments by Hijaden that do seem to be commercial. They use completely different techniques for restraining and extracting from the donors.
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| Hijaden - Always Watching |
This image perhaps offers some explanation of the purposes and motivations. The young man here having his oral and reproductive functions put through their paces is under surveillance by unseen captors according to the title. It seems to imply that they are aliens, delving into the mysteries of human body functions. However, I wouldn't rule out fellow humans with the pocket to pay for all this gadgetry, enjoying the experiment. At least the aliens have an excuse for doing it. This man's milk is being collected, for analysis presumably, it wouldn't be a viable commercial process.
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| Hijaden - Testing The Deluxe Model. |
The title here, by contrast, seems to suggest Corporate branding and profit driven manipulations of a high order. It's reminiscent of Franco's hapless jocks, but they were paired with machines much less sophisticated than this. Normally in these fantasies, the young men respond enthusiastically to their predicament and with firmness, but Hijaden gives us a dose of reality and the more likely, limp outcome.
The experimenters must have had high hopes of uncovering something better than this when they persuaded this red head to volunteer. Perhaps he's caught sight of that thing just in front of him that looks like a monkey wrench (gulp!). Fortunately (or unfortunately) the unseen experimenters seem to have thought of this and a solution is ready at hand, or at neck to be pedantic about it. I have no more idea than the redhead has about what the syringe contains, but I predict he'll be filling that green, glass pot in front of him in very short order, and having fun at the same time.
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| Hijaden - Slave Feeding Time |
This image depicts a different, more private context, some sort of training scenario. The baseball cap worn by the foreground 'top' reminds me of captured rogues, thwarted in their misdeeds and being rewarded here with some exceptionally creative mutual punishment. However, the comprehensive fetish equipment and cell is probably beyond the average householder's budget. I'm not sure that I can even label these two as buddies. It's all rather conceptual.
The detailed imagery, however, is striking. The X-stretched foreground figure in particular. He is obliged to perform another variant of the forward arch. Our downward-looking viewpoint, makes him seem like a top, even if he's simultaneously being treated like a bottom. I'm not the biggest fan of latex suits or dicks on sticks, but the teasing rear opening and inserted plug here are super-sexy.
The kneeling, partner figure seems to have got off lightly in the body stress department. It's anybody's guess how he feels about his 'food' or the feeding connection which he can't shake off, something like an umbilical tube making him dependant.
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| Hijaden - Milking Machine |
It's interesting here how unclothing the captive throws the focus of the image onto the machine. He's clearly being milked, but once again it's not obvious that the result of his efforts is being collected, although the top and base of the machine both seem to have hydraulic connections. There's something very business-like and economical about the mode of restraint, suspended from the ceiling and offering up the human to the machine. One can imagine a factory set up like this, where the milkers are rotated by robots, giving up their load to a central extractor and then moved away to rest and recharge while the next man takes their place. A nice dose of realism.
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| Hijaden - Tank Torture 2 |
What better way to recharge the batteries than this? Not quite a spa but better than nothing. Actually, Hijaden has labelled this as torture. The tight limb isolation bondage speaks for itself and the cock attachment looks as though it's getting hot, like a heating element, although it don't know if that would work underwater, if it is water, that is. It's the water level that poses the threat.
One is reminded of the classic, Bound Gods water trial, where Dante is put in a tank like this by CJ Madison*. He's simply restrained, but threatened with drowning as the tank fills up and Madison lies on the lid. Something similar is happening here, the cylindrical tank extends way above his head (it's more obvious in other images in this series). The captive is impaled on a post so he can't float. However, he has a tube in his mouth which is presumably carrying air to him, so it's scary, but not fatal.
*See also Rusty Steele is dunked in a giant fishtank by Derek Diamond at BGods.
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| Hijaden - The Pod |
'The Pod' also sounds like a relaxing place to be, but it doesn't look very private. More like a sci-fi, display cabinet rather than a place to have a quiet doze. But it's a nice containment image. The user inside is restrained, in a mild-looking way admittedly, but someone has decided his limbs have to be prevented from moving. I wonder if he noticed the sign on the door behind him when he stepped into the pod (assuming he got in voluntarily, which I suppose we can't take for granted). The tube attached to his cock looks like a drainage arrangement of the toilet kind rather than a milking device, but if it's going to be very cold it's usually considered prudent to turn off outside taps so they can't leak.
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| Hijaden - The Egg |
This image obviously derives from the same line of thought as The Pod above. The user inside this container is unrestrained and floating in a medium that the colouring suggests is a fluid. Preservation springs to mind, and you may have noticed that the egg seems to have a decorative frame and been mounted on a stand. However, you can also see gas bubbles inside, like an aquarium, so we can hope this humanoid is capable of breathing in this situation, an alien conversion project, perhaps. That doesn't explain why he's got a raging erection (although it's also welcome evidence that he's alive).
Find more Hijaden images at X.com
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Diplomatic Language
AI image generated by 'muscle and boots'
caption by mitchmen
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