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The Adventures of Leo - 7

March 12, 2013, 3:13 am
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After weeks of confinement and bizarre abuse, Leo thought his new life held no more surprises for him - and then 'Weasel' Cade walked into his cell.

Leo knew him well, Cade was an East Side lowlife who preyed on the poor and hung around with the meanest scum in the city. But like any weasel, he was hard to nail, he was one of those criminals you just had to harass all the time.
Leo and the other cops did their very best to make life hard for him.
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picture by Fetish Force

'Well, well, well, it's Police Officer Carlton', said Cade in his sing-song weaselly voice, 'We'd heard there was a cop here, but I didn't expect it to be you, Leo.
You don't mind if I call you Leo, do you?"

Leo did mind of course, but it was Cade in charge now and he was full of villainous swagger. He even untied Leo's hands. 'You'll service me better with your hands free, Leo, heh, heh, heh'

This might have been Leo's chance to escape, but the door was locked and street fighter Cade would delight in taking a weakened Leo down, if he tried anything
 - and of course, the Captor was always watching.

So when Cade dropped his pants and squirted over Leo's bare chest, the cop could only grip his fists in angry frustration and when told to start sucking, he had to comply. It was the ultimate humiliation, but just the beginning, as Cade extracted a lengthy, painful revenge.


picture by Ebony D

Leo was still nursing his bruises when he was unexpectedly called out again to service two tough looking men. He'd never had a double booking before and although he didn't recognise them, he knew straight away they were underworld characters. They spread him with ropes and probed every recess of his body in a cold, calculating, strangely non-sexual, but very threatening way.

Finally, one turned to the other and said
 'I tink d'boss'll definitely fancy dis bitch cop'.
 'Yeah, definitely' agreed the other, grinning and showing an immaculate row of broken teeth. After they left, Leo heard shouting and crashing noises from outside, then silence.

 picture by Bound Guys

It was some hours later when the Captor finally came to free him. Leo saw his face was bruised and he was escorted back to his cell in total silence.
You didn't have to be a cop to know that this sudden influx of thugs and hoodlums meant trouble - for both of them. Leo anxiously tested his restraining bindings,
he felt a terrible danger.

picture by Raging Stallion

For a day or so, normality (or what passed for normality in the Captors den) returned. Leo continued to serve his lustful, demanding clients. But now the spectre of gangland servitude was never far from his mind. For a cop it was bad enough to be forced  to be a rich man's plaything, but quite another thing to be the helpless butt of toughs and ruthless criminals. 

to be concluded
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The Adventures of Leo - 8

March 14, 2013, 1:37 am
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Leo stood in the cellar, dressed in his best white underwear and surrounded by a crowd of men. They were politely jostling with each other, trying to get close enough to inspect him and touch him. He recognised the Plantation owner and the Harem fantasy man from recent sevice calls, but there were many others he had never seen before. There was a buzz of  excitement in the air and he could sense their intense feelings towards him.


If Leo did not know most of these men, they certainly knew him. Ever since he'd arrived here, the Captor had been putting out a 24 hour CCTV feed of him to paying subscribers. His abduction had been planned and widely advertised in advance to interested parties, so they had been able to witness it all: his confused and angry arrival, his initiation into service and his training, step by step, until he could satisfy the basest lusts and the most perverse of men. They'd watched him being caressed and loved by gentle admirers, anxiously tossing and turning in his ropes at night, suffering in brutal rituals. His followers were legion and devoted and now the day had finally arrived when they had the chance to actually make him their own - to take away and keep.


Eventually, the Captor mounted a rostrum at the far end of the room and began addressing the room. The men immediately turned and gathered around him. Leo sat on the steps and watched as his fate was decided. The auction was animated but he couldn't hear anything properly. Now the crowd had moved away, he noticed that there were a large number of cardboard boxes stacked up against the cellar walls, which hadn't been there before, it was as though someone was moving out. There was a round of applause at the far end of the room. The group began to break up and gradually they dispersed. Some angrily stalked out in disappointment, others came back to Leo for a wistful last look before reluctantly leaving. 


Picture by Titan Men

Leo was returned to his cell with no explanation, but unusually he was allowed out of ropes while he changed into working clothes and awaited the first customer of the day. Within a short time, a scantily clad young man arrived, not Leo's usual clientele, but he announced he was actually valet to Leo's new owner and he'd come to measure up Leo for his 'going away' outfit. He casually explained that the Captor had advised him to remove his own uniform in case Leo became too 'emotional' and damaged it, but personally he suspected another motive. He glanced up towards the dome where the CCTV camera was concealed.
Leo tried to find out who had purchased him, but the boy was tight-lipped and would not say.


The next morning the captor breezed into Leo's cell exclaiming "You're going away, Leo! Get into these" and he proffered him a neatly folded pile of clothing which turned out to be a set of Navy fatigues. It felt strangely uplifting, climbing into a uniform again after all this time. They had already been 'worn in' by someone else but they were a perfect, snug fit. When he'd finished dressing the captor tied him up again in a tight hogtie, which was unusual, this form of restraint was normally reserved for night time.

"You look great Leo" said the captor warmly, as he pulled the ropes extra tight around Leo's buns. "Just right for a Caribbean cruise on a private yacht. You'll be on the ocean by tonight. Thanks, Leo - I shall miss you. You've made me a rich man - and I'm outta here too, before those hoodlums come back to dip their fingers in the  pot. Hey! I think that knock means your transport is here!"


He unlocked the door and the valet appeared again, dragging a large sea-going chest behind him. Together they lifted Leo into the trunk, placing him face down and surrounding his body with protective packaging. Then the lid was closed on him, it pressed down on Leo's feet, pushing them uncomfortably against the back of his thighs and he squawked in annoyance, but it was too late. Darkness descended and the locks outside clicked shut. He felt some jarring and bumping as the trunk was secured. Then it was being lifted, carried along, jolting him, jarring his folded legs. Now he heard traffic sounds, they must be outside and he hopefully called out a muffled cry for help. Then there were voices concluding a transaction, the hollow clang of a van door slamming, an engine starting up, then they were pulling away with a jerk that rolled him to one side.

His long journey begun, tears formed in Leo's eyes.
He hadn't even been able to say goodbye.

 THE END

Pictures for this episode by Bound Guys except where stated otherwise

To read this story from the start go here, then click 'newer post' to go to subsequent episodes, they run in a continuous sequence.

If you like my stories, there are more in similar vein at my mitchmen Yahoo! Group (free membership)
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Mike Carcel

March 15, 2013, 3:36 am
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I know that visitors to my blog are greatly interested in the drawings of Mike Carcel (or MCarcel as he signs himself). His entry in my A-Z review of fetish artists, here, is my most visited post by a long, long way. Here are some more pictures by him.


MCarcel - Dirt Eaters

Dirt Eaters is less complex (psychologically) and less bloodthirsty than much of Mike's art but typically juicy! The harem boys are tied and tethered to a post by the neck - a great image. They they watch and wait, dribbling with excitement as they anticipate getting their own turn. In Mike's world, I'm sure, that turn will come (unlike mitchmen-land where their master would be just as likely to make them go without!)


MCarcel - Property of Oz Knots

Shaving is one of my turn-on's, so this rather analytical slant on the process is rather interesting to me. The master here is very obsessive. Every last follicle removed from the captive's body has been collected up and stored in an appropriately labelled pot, indicating it's origin. I'm not sure what the purpose of this procedure is, but it reduces the man to the status of a mere lab rat or a farmed beast (!)
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Mike doesn't put much into his body shading but it looks as if the captive's shaved body has also been oiled (a guess corroborated by the bottle on the floor) to make him gleam for his master, it's an essential part of the ritual in my book, highlighting the newly revealed smoothness.
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This is a sort of crucifixion image but Mike's restraint device has no upright pole, fiendishly allowing full access from behind, to allow unrestricted use of dildos and the carelessly discarded whip as the scene intensifies.

(btw Oz Knots is a well-known bondage fetish personality)


M Carcel - Make It Hard


Like the other pictures in this selection, this one is light on blood and impalements, which I suppose are Mike's true hallmarks, but I prefer this sort of lead-in to such dramas and story-telling here is beautiful. Carcel has depicted a 'sub' who seems young, inexperienced and perhaps a bit naive. The pout of the mouth and slightly weak chin is very expressive - as is the passivity in his tied hands. It's possibly his first time in Carcel's domain, he still has all his body hair, but an eye-catching haircut suggests a boyish, adventurous nature. He watches preparations for his own S&M trial with detached curiosity, but excitement is also evident. Perhaps he does not realise that if the rope is pulled tight and he is lifted off the ground, only the strength in his own arms will prevent the noose from tightening round his neck. The only help he can expect is support via rear penetration which his captors no doubt have in mind.

 MCarcel - Ashamed

An example of innovative bondage with intent. The wooden block spacers between the ankles and (more unusually) the knees hold the captive's legs apart, in a position that is uncomfortable and subtly erotic, working along the same lines as the Wedge devices discussed here recently. However, movie and theatre buffs willalso recall the more brutal purpose of such wooden blocks in 'Misery'. The apparent cropping of this picture may have removed the other half of this particular puzzle. However, this particular offender may have other, more pressing things to worry about in due course.


M Carcel - Balance

Nice figure drawing and a good looking composition here, but I'm not sure what other balancing is involved (or possible) here with those ultra restricting ties. Carcel's captions are often inscrutable! The screw action appears to have a secondary purpose of dynamically altering the shape of the bondage frame, which is sexy, but probably over-optimistic in engineering terms.   I used a similar screw device in my own bondage furniture series (see it posted at the mitchmen Yahoo! group)
 


MCarcel - Beating
 
The arching male body always pleases me. This is a good old fashioned whipping which seems to have left the victim surprisingly content, no wonder the master looks puzzled and annoyed! I like the simplicity of this image - both the composition and the bondage involved. Even in this 'resting' pose, it seems to allow you to perceive a element of life/movement in the swaying body, a sense which is absent from the totally fixed restraint of 'Balance' above.

Carcel's pictures are usually devoid of fetish devices like gags or any other clothing for that matter, nor does he show backgrounds. This lack of conventional erotic references gives the images an abstract quality, I suppose you might say purity, which is both intriguing and puzzling. His complex depictions of gruesome rituals can be totally mystifying - but riveting - and I use that word advisedly! You do get the sense that you are looking at something important whether it be just a window on Carcel's self expression, his soul, or one's own teeth-gritting response to the image. I hope that doesn't sound too pretentious, but it's memorable fetish art.

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Mike Carcel's work is hard to find on the open web, because much of it deals with extreme, taboo subjects in explicit and disturbing ways. There are legal issues here and the caution of publishers and service providers is quite understandable. However, his art may be viewed in membership groups which is probably the most appropriate place anyway, away from the eyes of those who are too young or too sensitive. I recommend GMBA2 google group to anyone interested in work of this nature.  There was a giant posting of dozens of Carcel's pictures there recently and they should still be there in the archive. Participation by members is also good. Membership is free, but you have to be an adult. The link is in my sidebar so I can endeavour to keep it up to date if Google gets cross. See also my A-Z post, link at top of this post.
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Riding the Wedge - Addendum

March 16, 2013, 10:22 am
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Fellows - Riding Lesson

This image by Fellows makes a fine addition to my recent posts on 'Riding The Wedge'
I usually dislike frivolity in fetish matters, but this works as a serious humiliation scenario too and it's rather well drawn. Fellows was not included in my A-Z for 'F', it's an omission which I ought to rectify at some point but not yet as we are soon to launch into the letter 'S'..
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Men Sharing Clothes - 12

March 19, 2013, 2:14 am
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 An occasional series, in which male models are made to wear clothes previously 'scented' by someone else.

 Jack Union by JimmyZ

This gentleman, imaginatively tagged 'Big Brit' by Jimmy Z looks as if he'd be more at home in rugby kit than sparkly shirt and hipster jeans, but he fills them out impressively! He looks as if he's just trotted in after a long hard match or a sweaty training session - and we all know what happens if you wear synthetic fibres for too long....and under hot studio lights....sweaty!...... phew!

A few, under-arm fermenting days later...........

Angelo Diabolo by JimmyZ

Sniff, sniff......'Can I smell something on this T-shirt, Jimmy?.....sniff.

JimmyZ's models seem to have have names that are more improbable than the register of a sleazy seaside hotel, but it's a delight to see their chunky torso's bursting out of gear that looks far too small for them. Perhaps I ought to do a companion series called......
 'men forced to wear clothes that are too small for them'.

Joking aside "Jack Union" and "Angelo Diabolo" represent two very contrasting varieties of masculine appeal, both attactive. Pictures by JimmyZ.

To see my other mitchmen postings on the fantasy (and in some cases reality) of sharing soiled clothes click on the 'sharing' label just below.
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Riding The Wedge - addendum No 2

March 20, 2013, 2:29 am
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I am indebted to Roy D for reminding me of this splendid, rustic 'Wedge' by Stephen (aka Etienne). It's from his 'Hot Broncs' group of 6 cowboy pictures and is one of his better drawings with some excellent detail, like the tumbled heap of clothes and background scenery.  The two bullies having a laugh at the young (and improbably cute) Sheriff's expense are also depicted rather well, showing a nice bit of male bonding. 

I love the way the captive's feet are tied to the stretcher underneath to prevent escape, something similar happens in the Bound Gods examples I posted earlier. The nipple clamp/cock ring device naturally captures the viewer's attention but the little, spiky branchlet sticking out underneath hints at other discomforts Stephen might have profitably explored instead.

To make it easier to read these scattered posts I have added a new label 'riding the wedge', just click on it below to see the complete set of entries.
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First catch your burglar - No 2

March 21, 2013, 1:35 am
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 I've borrowed these images from Male Protection Blog
 and added mitchmen style dialogue.


Poor Lukas didn't do his homework properly. He'd found out that the owners of the house owned valuable antiques and that they had gone away on holiday. But he didn't know they'd asked their son, who's normally away at College, to look after the house while they were gone.

Unfortunately for Lukas, this particular son was......
  ......Captain of the College Rugby First XV,
.......a Judo black belt,
 .....and exponent of kick-boxing.

So, when Lukas broke in, he was quickly caught in the act, over-powered and subjected to a painful and rather humiliating demonstration of Martial Arts skills.

 .......which persuaded him to agree to an unusual way of making reparation.


Cheer up Lukas! His parents will be back again in another 10 days!
He''ll be going back to College then, so he'll have to unlock your cage.
At least, I assume he will......

With apologies to Chirenon at Male Protection blog for pinching and tweaking his ideas. This blog houses a large collection of male domination  scenarios like this. Some of it is twinky or fem but there's good adult male to male stuff too, worth seeking out.

No 1 in this series is here
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Hethong - Male Spanking

March 25, 2013, 12:56 am
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Hethong - Domestic Affairs- 1
 The pictures of Hethong often feature massively muscular (often black) men in control of herds of weedy-looking, hairless, white slaves. He has fascinating ideas, but the slaves often seem a bit too much like boys to be eligible for posting here at 'mitchmen'. That same sense of size and domination permeates this 'domestic' group too, but the junior partner here is unmistakeably adult with plenty of head and body hair.

Hethong - Domestic Affairs - 2
This picture is terrific, the faces of the two men are beautifully expressed and there's dynamic feel about the spanking action which isn't always true of Computer Generated Images. I love the racial ingredient and it's always good to see clothes being used to add extra character.

You can see many more Hethong pictures at his blog  He Thong Art
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Hunk of The Month - Stephen Moriaty - 1

March 29, 2013, 1:48 am
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Stephen Moriarty by Rick Day 2011
This series features men who for some reason catch hold of my imagination to the extent that I feel impelled to obsessively hunt down images of them. I featured this image some time ago at my mitchmen.com 'gateway' site without knowing who the handsome model was. A reader named him for me, but my efforts to verify his identitity tip led me into a fascinating world of wrestling, body building, and modelling, a glimpse of one young man's journey.

2005
This picture shows Steven aged around 20, when says he started body-building, so we must attribute his already creditable definition to his college wrestling career. The frightened rabbit look and post adolescent, puppy fat contrasts markedly with the confident man captured by Rick Day (above) only six years later.

This picture shows Stephen posing in the Mid-Illinois Body Building Championships in 2007. He's bracketed by two ferocious-looking, black guys, which may be the reason why he's still got that anxious look we find so endearing at mitchmen. You'd think he was up for sale, not up for a prize!


Stephen's experiment with the bleach-blond look might have been a mistake,
but the choice of blue swimsuit certainly wasn't. 

2008
By 2008 he's bulking up nicely. This informal shot shows a softer, most attractive muscle tone and  his relative youth still shows through. From this picture it would appear Stephen's not a very tidy boy - and I'd love to know what that leopard print is all about!

Steven Moriarty July 2009
A year on, Steven has achieved celebrity and is featuring in BB magazines.
At this degree of muscular development I think many men would stop - and in this picture he really does look a real man. What a beautiful face and I have no quarrel with the skimpy trunks either!


2011
Just in case you think Body Builders are narcicistic wimps, this cage fighting picture taken in September the same year shows that Steven is no pussy,
he's giving that fella a real pasting!

On his profile, Steven's e-moniker is 'Man of Steel'.
I'm certainly not going to argue with him!

October 2009
Body building Competitions produce curious, temporary aging effects as the men strive to minimise the fat covering their muscles. This picture was taken later in the same year as the contest picture above, but Stephen looks much younger here. In fact it compares rather nicely with the 2005 pose we started with, you can see the same young man in his face, but what a difference difference to his body.
He's not getting any tidier though!

To be continued.......

Top image is by Rick Day, Yellow bikini image by Muscular Development The other pictures are borrowed with thanks from Stephen Moriarty's public profile,  Man of Steel at Bodybuilding.com

To see other 'Hunk of The Month' articles click on the 'hunks' label below
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Hunk of The Month - Stephen Moriarty - 2

March 30, 2013, 11:06 am
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Steve Moriarty in 2010
It's hard to imagine improving on this standadrd of muscular definition.
It looks like Steve has streamlined his body fat for another contest here.
The fat loss shows in his face too, he's about 25 years old here.


2011
I don't know how these pecs rate in Body Building Circles but they look terrific to me. Chewy or what!  The bulking up process appears to have restored a more youthful appearance and softened the body definition, which I much prefer.
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Steve Moriarty by Rick Day 2011
2011 seems to be the year that Steven gets 'discovered' by commercial photographers. This photo by Rick Day is from the same session as the lead picture in part 1 of this article.

In this shoot we get a  glimpse of coy, laddish sexuality. Rick gets him to stand on his toes, Steve butches up, but looks back at the camera with some suspicion. The authority relationship between photographer and model is a real mitchmen thing! This clever pose pushes Stephen's pelvis forward (yum!) but also makes his calves swell, balancing the bulk of his mighty thighs, so they appear shapely and strong but not totally over-developed.
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Steve Moriarty by Rick Day 2011
 There's a rather sweet, youthful sensitivity about many of Stephen's images, but here Rick Day captures a more adult thoughtfulness. It contrasts intriguingly with the model's muscular body image, his competitive personality and combat sport interests. Rick portrays him as a reflective, gentle giant.

The uplifted arms protecting and cushioning the head are symbolic of vulnerability. But there's an artful sensuality in the pose too as attractively-shaped pectorals are revealed, leading the eye down to the focus of the lower half of the picture which is the striking, white underwear with it's erotic front pouch. The model has been asked to twist towards us so we may better see it's shape. The skimpy cut of this garment flatters both thigh and buttock and I suspect the rear view is equally enchanting.
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Steve Moriarty Three Ways by Joe Ticknow, 2011
Interestingly, in the same year, photographer Joe Ticknow also picks up on characteristics of thoughtfulness and shy reticence which I have illustrated in this fantasy montage. The Tee-shirt slogan seems completely inappropriate but boyishly charming. This tease might easily be the lead-in to a mitchmen story about a very naive model - but I'm sure Stephen isn't one of them!

In this same shoot, Joe also captured a very different side to Stephen which I will headline in the next post...............

Photo credits:  Lead picture borrowed with thanks from Stephen Moriarty's public profile -  Man of Steel at Bodybuilding.com, white bikini images by Rick Day, 'I'm a beast' by Joe Ticknow (this is his vanilla business site, for men it's better to Google his images). Contest shots by Repetrope.

For earlier 'hunk of the month' articles click on hunk label below
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Hunk of the Month - Stephen Moriarty - 3

April 2, 2013, 1:54 am
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 2011 Joe Ticknow

Coming after the preceding sequence of fairly conventional beefcake images this group by Joe Ticknow comes as an astonishing revelation. It's an amazing portrayal of Stephen's muscular development, conveying a size and definition which is not this apparent even in the muscle contest shots. The spiky, slightly bizarre hairstyling and stubbled chin give the model the virile, masculine and dangerous aura of a sci-fi, computer game, fantasy hero. I imagine this shot will define Stephen Moriarty for posterity and it would be interesting to know how Stephen himself feels about this idealisation of his masculinity.

 This pose, though slightly less dramatic, carries the same theme forward. The mighty hero, surrounded by the graffitti of a ruined world, scans the horizon for danger.  The denim jeans disguise the model's massive thighs and reshape his body into sheer solid bulk. There's a sense of confidence and power about him, 'Man of Steel' indeed!

Arms outstretched, there's a certain vulnerability about this pose, but that casual look over the shoulder is full of confidence and just a hint of a knowing smile. Through mitchmen eyes there's also a suggestion  the hero in captivity with arms tethered to the chunky rail behind him. He watches the approach of captor and tormentor with determination and strength.

All in all a memorable group of images. Take a bow, Stephen!

2012
It's nice to see a competition pose that's relaxed and genuine. A year on from Ticknow, he's a man at the top of his game.The blond look has returned, but in more restrained hues which actually work very well with these colourful shorts (sadly a tad over-long) to create the spunky surfer look
 

 2012 Pat Lee
Pat Lee, goes for a more boy next door approach, playing down the musculature in this shot. It seems like an entirely different personality. These are the same jeans as in Joe Ticknow's set, a trivial but strangely interesting fact!
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This pose complements the fabulous, Joe Ticknow, back shot above, but the intimidating bulk and dangerous aura has been replaced by clean cut, youthful energy and sensuality. The plunging waistline beautifully frames and shapes the model's slender waist and adds a subtle sense of twisting motion
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Another mood change for the beach boy pose. All these Pat Lee images seem to conjure up a charming, shy lad seeking approval and recognition for his endeavours. Which one is the real Stephen?

2013 Grey Underwear
 Today Stephen continues to work on honing his body. This recent shot shows another perspective on his definition, particularly his legs. These private camera moments are probably quite revealing of the psyche, the assortment of potions likewise, but he's not getting any tidier - please Stephen, bin the bog roll!
 
 I imagine this physique would not attract universal approval from my readers. Personally I love plumped up pecs and thick thighs, but probably favour smoother contours. But we all have our obsessions and you can't fault the commitment of such men. If you browse Stephen's Facebook page (where the grey underwear image, above, comes from) you'll discover that he likes to use his knowledge and experience to help other, undeveloped men to transform into Muscle Gods too. It's a Pygmalion idea that I could happily build into a mitchmen fantasy, like the story of Leo recently posted here. I share the hobby, but I prefer to use pencil and paper to realise the result!


Photo credits:  'I'm a beast' lead images by Joe Ticknow (this is his vanilla business site, for beefcake it's better to Google his images). Beach boy contest picture borrowed with thanks from Stephen Moriarty's public profile -  Man of Steel at Bodybuilding.com, 'Boy Next Door' shoot by Pat Lee.

For earlier 'hunk of the month' articles click on hunk label below
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Men Sharing Clothes - 13

April 5, 2013, 1:03 am
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He's at it again! Not content with making super-butch models share tight, sparkly Tee-shirts, Jimmy Z is also forcing them to wear the same jeans!
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We met Big Brit aka "Jack Union" in my previous post 'preparing' a sparkly Tee shirt for Angelo Diabolo to wear. He returns here with a nice tight, shoulder-flattering Tee shirt and Jimmy's kitted him out in these distinctive jeans. It looks quite a tight squeeze with those mighty thighs but Jack's got himself in there and all snugly buttoned up.
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Kyle Stevens  is not your mainstream beefcake, I suppose, but there's something about his chunky, unrefined look that makes you want to look. The totally shaved head and body, gleaming with 'essences' like a rugby player fresh from the shower after a hard match.

The facial expression says this could be one rough and dirty boy. He's barely squashed himself into Jack's old jeans. No underwear of course. Button up Kyle! Feel the close fit in all the tight places. Get closer to Jack's aura.

 sharing photos by Jimmy Z
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Men Sharing Clothes - 13 (a post-script)

April 9, 2013, 11:59 pm
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 My browsing has unearthed two more models in Jimmy Z's well used jeans (see previous article). Armon Adibi must be the most muscular model yet to grace this garment.
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Nick Fabian completes the round-up of jeans victims, arguably the best fit of all, although the result is not as flattering to his manhood as Armon above. It looks like he's been wearing them 'off set' and just arrived back from the gym, pumped up and glowing from his exertions. Perhaps, on the other hand, the look of annoyance is down to the fact that he's just the office boy who has to give up his prized jeans so the visiting models can stuff their strut and strut their stuff in them.

To wash or not to wash? That is the question!

For other posts in this series click on the 'sharing' label below
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Some Classic Japanese Bondage Art

April 12, 2013, 2:05 am
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While researching art for my A-Z of Fetish artists, I came across these images filed by me under the name 'Sabu'. I now know that is not the name of the artist, but of the magazine they were published in. I would dearly love to know the correct attribution(s). Can any of my readers help put an artist's name to any of these pictures?

No 1
This beautiful portrait of a young man reminds me of the film character named 'Sabu' who starred in Jungle Book type stories with elephants and other wild animals. There is a signature on the picture which begins with R but I can't relate it to any 'R' s in my collection. The fact that the name is not written in Japanese characters makes me doubt whether it is in fact a Japanese artist at all. The sharply defined shadowing is rather modern and very distinctive.
 
No 2 -The Victim by ????

He doesn't look like a victim, does he? The treatment of the jeans is highly erotic. The whitening-out of the cock is standard Japanese censorship practice, something of an oriental mystery to us. The identity of the artist may be contained in the Japanese characters on this image but I'm afraid I can't read them. At first sight it seems different in style to the  portrait above, but the treatment of facial shadows is similar. You can see the same technique in the double spread picture below, particularly the character on the left whose face is highly stylised.

 No 3
It's a real shame this image is spread across two pages as the bondage depiction is terrific, much more interesting than No 2. The victim's muscularity and handsome face stand out from his more anonymous tormentors. It's difficult to portray suspension convincingly but this works quite well. That's down (I think) to the simplicity of the rope restraints/supports and the careful positioning of the background figures.

This image is also of interest for the traditional, Japanese clothing of the central background figure (a fisherman?). This could almost be Okawa but he usually depicts softer-looking boys as his captives. The bizarre combo of the left most character, sun-glasses and long johns, provides a most modern contrast.

 No 4
I enjoy images of men shown while being tied up and 'tying the knot' between the legs is a particularly sensual 'Shibari' moment. Unfortunately the excitement of the illustrator doesn't quite make it to the page here, the captive's pose is rather stiff, he's not reacting to the bondage at all and the whole composition has come out looking a bit flat. Hands are always a challenge to the artist and they are a major feature of this composition. He's had mixed success here, but he's in good company, just look at any Renaissance painting and you'll see similar results. There's an even more puzzling hand in the picture above (No 3 extreme left). Accurate realism doesn't always serve hands and feet very well, they often look more convincing if they are exaggerated and chunky. I always say Etienne's craggy feet look more like feet than feet do.

 No 5
Bondage-wise this is the best of the lot, in my view. The arched, lithe body straining against the ropes and pain etched into the (cute) victim's face create terrific erotic drama, even the shimmering, erased cock seems like a deliberate artistic element! The elaborately decorated cushioning adds what seems like a fiendishly oriental twist, comforting the strained body, but forcing it outwards against the restraints. Interestingly, though, this detail and the twist of the victim's head towards it distracts attention from the cock ropes pulling at the front. The V-shaped tie with ends disappearing out of the picture is a popular device in Japanese bondage imagery and I suspect it contains meaning which is lost on Westerners. It reminds me of a musical string being plucked but I can't relate that to an erotic message, I don't suppose the pun works in Japanese.

No 6
This example is less successful, the doubled up legs completely immobilise a more mature victim, but, like No 4, the pose is stiff and although the ropes cut into the body you can't 'see' his weight pulling down on them. The setting for this torment, with it's cross work of beams is very much in the style of  Okawa but the perspective is less well executed. The curly treatment of the leg hair in this picture is similar to Mishima's style but his men usually have strongly outlined, angry eyes, quite unlike this artist.

No 7
The final image has two ingredients which I approve of, the simplicity of the bondage and the clothing.  'Less is more' as an adage applies to fetish art just as much as the real world and for me simple rope restraint like this creates the illusion of a genuine captivity, rather than a carefully staged dungeon role-play. The underpants have a similar 'normalising' effect and their practical conventionality gives us a glimpse of this man's character. He could be a maverick banker abducted by an angry, ruined client seeking compensation of some sort. In the Japanese context they also have the virtue of sidestepping censorship and allowing us a tantalising glimpse of the substantial assets at his disposal.

If anyone can shed any light on the authorship of these images, please do let me know via the comments facility.
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A-Z of Fetish Artists - The Letter 'S'

April 15, 2013, 2:53 am
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 The Letter 'S' includes a very large number of Artists, so brace yourselves! There are some big names like Sean and Spryte, several notable 'oldsters' including Sketches and Stud, and there's no shortage of 'mysteries' either one of which I covered in my previous post. As usual, I limit my survey to artists with a significant fetish element in their work. I also exclude computer generated art (for example Sarander), partly to limit the size of the list but also in admission of my ignorance of the medium and it's techniques. I confess that I am becoming increasingly aware of how arbitrary this distinction is and how much great fetish art I am excluding, but I aim to deal with this when I reach the end of the alphabet.

I always like to usher in a new letter with a work or two that I admire, but whose creator wouldn't make it into the main listing. For the letter 'S' I have chosen two splendid torso images which are beefcake rather than fetish works.
'Hairy Torso' by Sallee

For me, 'Hairy Torso' by Sallee is a compendium of irresistible erotic triggers, not just the tantalising, sagging jeans but also the slightly over-fleshy pecs pushing out from under the vest, the fan-like pattern of re-growing body hair, the glimpse of 5 o'clock shadow and the military dog tags. I don't have any other pictures by him but, from the chocolate box style, I would guess he's fairly prolific.
 
 'Guy in Shorts' by Sanchez

'Guy in Shorts' by Sanchez is less sensual in style andmore overtly erotic but it's the representation of the subject's face which I like most. The dreamy, softness of his expression is alluring but curiously at odds with the provocative lower body pose.

I would also mention in passing the artist Sole, whose splendid pastiche of Tom of Finland's style I mistaken listed under Fluide Glacial

 For other posts in this series, click on the A-Z label below 
or search for an artist by name

I welcome link information on these artists
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Riding The Wedge with Franco

April 16, 2013, 1:53 am
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Franco - Milk-O-Matic
This variant of the wedge (sent in by Roy D, thanks Roy!) is rather different from my previous posts. For a start the wedge is flat topped and blunt so it would spread the ass cheeks rather than apply point pressure in-between. It also looks as though the wedge itself slides in and out so it rubs sensuously against the subject's inner thighs and ass. In fact this jock is secured slightly above it, so his balls dangle and get the benefit of the rub. 

I imagine the machine might come with a selection of interchangeable sleeves for the wedge, in various suitable materials like fur, rough sacking, no not sandpaper, but static-inducing nylon would be interesting, Mmmm sparky balls! You will observe that the knee and ankle restraints are also movable independently, potentially producing some fascinating undulating body effects as extraction proceeds. There's probably an animated GIF of this fiendish device floating round the net somewhere.

You can read my A-Z entry on Franco here. It needs updating to reflect his latest CGI work. He has a Yahoo Fan Group  and there's also a good repository of Franco's work at Telemachus. Spanking groups and blogs like Jockspank also have good selections and if you Google him you will find many more!

For more posts on 'Riding the Wedge' click on the label below.

A-Z letter S resumes next post
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A-Z of Fetish Artists - Sabian

April 19, 2013, 1:12 am
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 Sabian - Auditioning
We kick off the letter 'S' proper with Sabian. Sabian's style looks vintage in more ways than one, but he's still around drawing young men with exceptionally well developed pectorals, eternally taking the role of 'sub' in fetishistic scenes. In the first picture this character takes centre stage but, interestingly, the two 'cowboys' in the background seem to have attracted most of the artist's interest. They are depicted with more care and have distinctive features and clothing. Most of Sabian's work (that I have seen) is not as polished as this, but the supporting cast always seem that bit more interesting than the 'hero'.

Sabian - Punishment In The Stockroom
The second picture shows more unusual and vintage-looking, male domination stereotypes and the anonymous, sketchily-drawn, sex-object victim. It's a hot domination scene and the unusual setting of a warehouse, with the naked victim forced to carry heavy crates, gives the image punch. I detect the influence of Tom of Finland in the face of the 'blue shirt guy' and possibly also in the placing of the principal tormentor in the foreground to create drama and depth. However, the architectural awareness and soaring height suggested by the background window is not Tom at all but highly original. We're not talking high art here, but it's pretty atmospheric story telling.

  Sabian - Chest Lashing
'Chest Lashing' is a more mainstream, fetish, dungeon scene featuring those over-developed pecs on another victim and another retro 'dom' complete with cool shades. The backward arch of the captive's suspension is erotic and a true torture and despite the improbable angle of attack there's a real sense of painful impact by the lash. The foreground 'devil' with his electro-prod, waiting his turn adds depth to the image and grit to it's storyline. The style is casual and sketchy but there's a degree of sophistication in the simple background wall effect and the fading out of shading in the lower legs, replaced by simply drawn crease lines so they don't distract from the main focus of the picture. You may have seen this technique used most successfully by Bill Ward in his 'Drum'comics.

Sabian - Rodeo Fun Boy Available
A puzzling title but the final picture is my favourite. The tied and tormented body-builder appears to have been taken captive while sleeping and once again drama oozes out of the picture. The background laughing villain is a great creation. At times Sabian's victims have a distinctly feminine appearance in both body shape and stance but unlike some other artists (e.g. Bishop) they are not obviously adapted from female originals. Sabian's work is a flagbearer for male pec fetish.

There's a small selection of Sabian's images at Pridesites Pecity and an interview in Pridesites Pec Mag. There's a link to his site on Flickr but it wouldn't work for me, I'd welcome info on his current whereabouts!

 For other posts in this series, click on the A-Z label below 
or search for an artist by name
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A-Z of Fetish Artists - Saj

April 22, 2013, 2:51 am
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Saj – “I know you want this”
 
The art of Saj has a computer ingredient, but it looks sufficiently hand drawn and interesting for me to include in my survey. This first image has the sort of dramatic angle associated with comic book art and showcases the handcuffing of the prisoner to perfection. The depiction of the manic FBI agent chimes in with the crazy perspectives of the room, but his words (the title of the piece and the eternal wishful thinking of all gay porn) are a bit of a let down in a fetish context, when one expects something a bit more assertive!

 Saj - Bathroom

However, Saj does not shy away from hardness and aggression as this piece shows. Once again there's a slightly crazy feel about it as the victim reaches out towards us (or the shards of glass?), much to the bemusement of his attacker, whose elfin-like face seems redolent of unexpected and incomprehensible malice. The drawing style is economical but extremely effective in creating an atmospheric setting.

Saj – Blue Goo #10

I am amazed by the avalanche of 'Tentacle Art' on the Internet. I understand the erotic appeal of the subject, but there's an amazing amount of repetition and few pieces press my buttons. This gloopy variant by Saj has the usual open-legged, victim pose, but the substitution of disconnected blobs of blue 'goo' for tentacles is a nice touch. The attack developing on the foreground character is for me the most exciting part of the image. In this picture you can see that Saj's depiction of the naked body is rather flat and less convincing than his representation of clothing. For him it seems the sensuality is all in the action.
This picture is one of a series and I should perhaps explain that the blue goo was unleashed by the foreground character to 'condition' his captive, as shown, but things got out of hand! The syringe was supposed to 'hoover up' the renegade goo, returning the genie to his bottle, as it were.

Saj – Dreams Of The Human Torch

This fiery fantasy transforms an ordinary image into the extraordinary. You can regard this as a simple metaphor for the allure of fiery passion, but some of my readers may enjoy a more literal reading. Either way, it's interesting that this 'dreamer' does not share the fire/passion himself (except for a very focused 'fiery jack' penetration) and he is clearly not consumed by it. Nor is there a great sense that he is at all endangered by it. An interesting viewpoint.

Fire, like water, is a great technical challenge to the artist and this is an interesting solution, the colour plays a crucial role of course, but the artist is drawing on another fiery 'memory' association with the horizontal striping effect on the 'Torch's' body. It reminds me of the way logs burn in the grate. I will be comparing this image to another artist's work later on.

Saj – Tool Shed
 
If danger was absent in the 'Torch' picture you get it in spades in the 'Tool Shed'. The attacker seems impassive, implacable and emotionally uninvolved, partly because you can't see his eyes. There's a sense of cold and calculating, remorseless hate being unleashed and yet the whole scene is really uncontrolled, a classic 'hero in peril' struggle. The whizzing saw blade and sharp, shiny tools bedecking the walls make this place more frightening than any S&M dungeon! You can see the influence of modern Japanese comic art quite clearly in the stylised faces and that takes some of the edge off the horror, but there's some deep emotions behind this picture.


Saj's pictures explore fetishism more profoundly than most, revealing a challenging intellect and posing interesting questions to viewers who pause to ponder what they see and like. Some of his pictures contain explicit violence which is not my cup of tea and not appropriate for this public blog. I haven't been able to track down a site for Saj but I welcome information from readers.

 For other posts in this series, click on the A-Z label below 
or search for an artist by name
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A-Z of Fetish Artists - Sardax

April 26, 2013, 2:18 am
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Sardax - Milk Machine

I'm going to depart from my usual rules again for Sardax. This artist's work depicts domination of men by women, but the underlying bondage and humiliation imagery is varied and interesting, if you grit your teeth! This picture has the least conspicuous female prescence I could uncover, but if you are not put off by women I recommend you to seek out other samples of the artist's work. It's easy to find if you put 'Sardax' into a search engine or use the address on the image.

For previous articles in this series click on the A-Z label below.
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A-Z of Fetish Artists - Sarawa

May 11, 2013, 3:15 am
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Sarawa - Master and Slave

A notable contribution to the letter 'S' by Sarawa. The leather jacket suggests some photo trickery here but it helps define the status of the 'M' rather nicely. I'm not sure about that bulge though!

I don't have any other information on the artist or a link I'm afraid.

For earlier posts in this series, click on the A-Z label below
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