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Arrest No 2 - The Underwear Gang

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My last post of the old C-IN2 underwear images showing two men being forcefully arrested and handcuffed were not just a re-run of some old classics but a lead-in to the same company's more recent campaign which revisits the same idea, this time in the capable hands of photographer Rick Day. The results are more atmospheric than the originals, less sensual perhaps but arguably more raunchy. I've collected these images from the campaign and assembled a storyline based on the campaign video. My story, is entirely fictional and the characters are not intended to bear any resemblance to the models who play them

Meet our 3 bad boys, Michael, Gordon and Luis. They all belong to the dirty underwear gang. Gordon is the leader, the brains of the gang, Michael is the cocky show-off, he's into bling, Luis is the eternal worrier. Between them represent a range of attractive male stereotypes which the local cops find rather pretty interesting. Particularly when they catch them in their dirty underwear.
  
The boys are all on parole and it's a condition that they all live together in a caravan. Gordon insists they must always wear their dirty underwear inside the caravan to show their brotherhood. Michael and Luis are not so sure it's such a good idea when they are separated from their wives and girlfriends. With all that maleness in close proximity it gets quite hot in the caravan sometimes.

Luis spends a lot of time working under the bonnet of the car making modifications.
Gordon makes him change into more suitable clothes for this dirty work.
They don't want unexpected visitors to catch them in their dirty gang underwear either.

Luis is reluctant to show anyone what's he's up to under the bonnet, he's actually quite shy under all those tattoos .

Michael and Gordon step in if anyone gets too interested. They don't like strangers around.

When they're not working on the car the boys like to relax in the caravan watching a horny film....but...

"Damn, why does the phone always ring when I'm just getting there? 
You get it Michael, will you?"

"I bet it's your flippin' sister again Gordon, I'll get rid of her. 
Then we can get back on the job"

"Sorry guys, I'm already leaking...that last scene was so.....oh...oh .... I can't stop!"

"Oh, Luis, you're hopeless!"

 
"What? Are you sure? The Cops? A raid?"

"Oh, Michael, I think they may be here already."

"Christ, I'd better switch this porn off then, oh fuck, where's the remote gone?" 

 
 "Luis you are a silly boy, it's just the man delivering gas cylinders"

"Oh yeah, so it is. Sorry 'bout that Michael"
 
 
"I guess I'm gonna have to change these pants now, Michael, they're all wet. Is there some more dirty underwear in the drawer?"

"Whatever Luis, go and look. I got problems of my own down there. God it's hot in here!"
"I'm so horny!"

"Michael? The gas man says we gotta pay $100 off the bill, or he's gonna stop delivering. I'm skint after laying out on all them new C-IN2 undies, so I've had to give him a suck of my cock, but he says it's gotta be yours too. Sorry Michael"
"That's OK Gordon, actually it's quite convenient right now......."

 
"Bloody hell, Luis, I think Michael must be paying off the whole arrears for us!"

"I love Michael, he's so adorable"


"....so when he told me he was a big fan of cowboy films I knew exactly what to do to make him happy, look I'll show you.... "

"Yeah, whatever Michael, well done anyway, we owe you one (yawn). I'm having a kip now."

 Michael! come  to the window!

 Look! I'm sure it really is the police this time

"Luis is right this time, Gordon, I can see a flashing light coming."

Luis is in a sweat, "What we gonna do, Gordon, I'm scared!"

Gordon gets a grip on the situation. 
"Look, there's no need to panic boys. Here's the plan, first get those dirty pants off............"

"Sounds Cool!"
"You sure we've got time for that..........?"

But when the cops finally arrive.......

....the boys are well ready for them, pottering on the car, dressed in their Sunday best. As usual, Michael is very forward, but he has put his bling jewellery away to avoid  awkward questions about it.
"We're all clean officer" he claims cockily.

"I can see that" says the cop admiring his protruding ensemble, "Too clean if anything. In fact, your underwear matches the description of some stolen goods we're looking for."

"You accusing me of nicking stuff?", Michael kicks off.
It's a big mistake.

 "Yeah, maroon seams with a budgie pouch in the middle. Of course we'll need to take a closer look to be absolutely sure...."

".......so, I'm taking you in for detailed examination. You can resist all you like, I don't mind"

"You cops are all the same!" spits Michael.

"Quiet boy! You've be a thorn in our side for too long!"

"Sorry ma'am. I didn't mean it! Can't you let me off this time?"

"Control to base, we're picking up the boys now. Yeah, the idiots are wearing the stolen gear. Get that special underwear interrogation cell ready for them!"

"Gulp, please not that! Not the special underwear interrogation cell!"

Click.....Click

 "It's no good changing your pants to confuse us, sunshine, I saw you hiding under the car, you're coming in too, to keep your buddy company."

"Please sir, I haven't done anything!" 

Click.....Click


Meanwhile, stressed-out Luis is having a lie down in the caravan, dreaming about what to have done for his next tattoo.



Of course, the cops search the caravan and find him. They take one look at his underwear and immediately decide he's definitely got to be taken in too. If he's not a receiver, he'll definitely make an excellent exhibit.

"They're just hand me downs!" Luis protests, sensing their interest.

"We can do any necessary hands down there when we're back at the station, buddy" replies the officer sternly. 

"Click.......Click"

With apologies to C-IN2 and the models who play my fictional characters so beautifully - Anthony Gallo, Chris Whelan and Diogo Castro Gomes.

You can see the official video at underwear expert

Arrest No 3 - Parole Violation

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The underwear campaign I utilised in my last post was entitled 'Parole' and it leads me neatly into this offering from 'ParoleHim'. It features hunky Dominic Sol who has recently completed a prison sentence for drink driving. He has an appointment with Parole Officer Black.

Dominic has been breaching his bail conditions. 
He arrives for his appointment expecting a hard ride

Officer Black doesn't mince his words, he tells Dominic he's going back to jail and in preparation for arrest searches him....

 ....thoroughly. 
Black realises Dominic has a little more to offer than the immature boys he usually has to deal with.
 
Dominic's heart sinks as he realises Black really does intend to send him back to jail. Click. Click.

  With his prisoner nicely immobilised and compliant, Officer Black offers to explore some alternatives to Jail. He begins by diving inside Dominic's jeans.

 Once he's got over his surprise, Dominic's starting to think this is gonna work out OK after all.

But soon discovers it's not that simple

It's not a lot different to jail, he reflects, but at least he should get to go home afterwards

You can tell that for all his harsh talk Officer Black has a soft spot for Dominic, really. He's pretty sure Dominic's got a soft spot for him.

 
Dominic has plenty of time time to contemplate how to handle his next appointment with Officer Black.

If you're wondering where the underwear in my title comes in, visit ParoleHim and watch the video, the sequence where Black gets inside Dominic's jeans is very sexy, but if you blink you'll miss the undershorts!.

Arrest No 4 - The Punk (part 1)

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 I have always liked this little series of pictures by the artist, Keith for reasons which I explain below. Fragments of it have long circulated amongst internet art groups, usually as small, indistinct images. I've have always wanted to 'restore' them so that they are easier on the eye and was finally prompted to do so when I discovered a number of frames which were previously unknown to me and which filled in major elements of the story line. These images are the result.

1
The story concerns a 'punk' named Darryl. Darryl is one of Keith's stock characters. In the UK, 'punk' refers simply to those who follow rebellious, punk rock fashions, like the blue mohican Darryl is sporting here. In the US it has much wider 'bad boy' connotations, which I only dimly grasp, but I think the situation here is clear. The detailing of the bottle is nice, don't ask me what the orange liquid is! 

My 'restoration' work on these pictures is limited in the main to enlargement of the image and penciling over the figure outlines and dialogue boxes to make them sharper and clearer. This removes some of the original subtlety in a few places where Keith where used colour to delineate a boundary instead of a hard outline (e.g. Darryl's pecs) but I have tried to use restraint and I think it does achieve better clarity. In this picture I also enhanced background colours a little where the boundaries seemed indistinct. The writing on the sign shows the 'faded' look I started with.

 
This picture shows the main reason why I like the series so much, the cop dressed in oh-so-short shorts which reveal muscular, hairy thighs. Indeed, Darryl's sighting of them seems to have prompted an instant orgasm. The circular badge on the cop's shorts (a sexy detail) appears to say MAD Patrol but I don't know what that refers to, apart from the obvious pun. I was tempted to remove the strangely canted house in the background but decided to respect the original intent.

3
There's a nice sense of struggle here, mainly provided by the cop. Readers will know from previous posts that I like the 'click-click' moment where the handcuffs give the cop control over the arrestee. The fact that Darryl is now nude, his yellow underwear/swimwear trampled underfoot, makes it all the more sexy. The punk's exaggerated feet will also delight enthusiasts of that fetish. The detailing of the toes, slightly baby-like, truly captures their essential appeal. Darryl's protest is suitably insulting (shorty) but the 'storm trooper' bit doesn't seem derogatory enough to me. I like the cop's reponse, it might sound punchier if 'crack' was substituted for 'ass' or is 'wax' a pun on 'whacks'?

  In picture 3, I fiddled with the shading on Darryl's six pack since the original detail was very faint.

to be continued

Arrest No 4 - The Punk (part 2)

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4
Darryl is cuffed and made to grovel,while the arresting Officerexamines his discarded swimsuit like a sniffer dog. One suspects that the baton casually angled towards Darryl's rear may also be involved in the cavity search. From this angle, the earlier threat to wax his ass appears to be not entirely without merit! A second Officer looks on, leaning casually on the police car at a somewhat improbable angle, but he looks very handsome in his sun-glasses and slightly menacing. It's a nice study. There's almost two pictures in one here with a slight discontinuity in perspectives between foreground and background (there's a similar effect in picture 2)

 I think this must be the quintessential 'short shorts' picture. We get a splendid rear view showing buns tightly cupped and divided by the centre seam and in the background, a front view with lump, highlighted by creasing lines and the fly seam diving into the groin. The turn ups on the legs are a great touch emphasising the cop's meaty thighs.


5
Back at the station the inevitable occurs as Officer 'Rocky' delivers his ultimatum and, anticipating a positive response, begins to shrug off his shirt. Officer Jones produces his own baton. This is a centrepiece drawing of the set but is not entirely successful, Darryl's starting to look a little musclebound and Rocky's strip act isn't quite right, but I like the way the underside of his thighs catch on the edge of the desk.

I really struggled with clarifying this picture, the original was very faded and blurry and Keith, the artist, relied a lot on just colours to create boundaries and shading. My addition of hard lines looks heavy handed in places but I say in my defence that the bright orange and brown background colours on the scan I'm working from needed to be contained and pushed back. I added quite a lot of over-shading on the bodies to show the musculature and restored some hair on Rocky's body which was very faint. Apologies to the artist!

Arrest No 4 - The Punk (part 3)

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The truncated series that circulates amongst fetish art groups normally ends here. The pictures which follow were provided to me by fellow collectors after I appealed for more information about 'Keith' and this set. These images have less fetish content, uniforms are shed and sex rears it's head, but they are not entirely devoid of interest.  
 6
 Jones' elegant figure and the shorts pushed down round his thighs are highlights of this picture as the sexual scene gets going. Despite all the waving of batons by the Officers, they seem to refrain from striking their victim.

 Happily, the participants seem to have regained their original appearance in this picture, continuity is something of a burden for hand artists, but faces are crucial for identification, particularly when there are no clothes to help out.

In this group of images I did little more than enlarge and pick out outlines. The square screen which cuts across Officer Jones' six pack is a distortion caused by the original scan and would probably be better removed altogether but that was further than I wanted to go in this exercise. 


 7
Darryl's humiliation continues, but he is obviously not the first to fall victim to Rocky and Jones. The pixilation of Rocky's body hair completely defeated me here, this could only be remedied by a major alteration -  erasure and re-drawing.

8
Officer Jones gets another nice treatment by the artist here, he shows nice feet. Darryl's stretched mouthful is well captured too. There are more pixilation problems for Rocky (face and body hair). He has become noticeably the less dominant of the two cops in this sequence.


Arrest No 4 - The Punk (part 4)

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 9
 Two more cops spot what Jones and Rocky are up to and eagerly start undressing in the corridor outside. We get a final glimpse of the cop's uniforms and move into gang bang territory. The original air of vindictive menace has now, sadly, almost entirely disappeared. Nevertheless Darryl's ass, dripping with cum is a sexy highlight - plus more cute feet. This is another of Keith's 'split' images with some curious exaggerated perspectives.

 10
 A moment of pure slapstick just in case you doubted the gravity of the situation!  But I'm not sure that it's a good idea to depict this mishap in the midst of a parade of racial stereotypes that is so politically correct that it's incorrect! Darryls cum covered body is still the erotic centrepiece of the picture. His powerful ass jet must be unique in erotic art. Is this cum or piss?

 11
I freely admit that orgies are not my thing, unsatisfying whether as fantasy or reality. In this situation it's hard for a graphic artist to outdo modern photography, but Keith's inset panel showing a double penetration probably is pretty good, exploiting the artist's freedom to defy the laws of physics. The task of visually disentangling bodies in this scrummage is not easy and there are some strange things going on in the vicinity of Darryl's ass which I couldn't work out, nor the cock emerging from his thigh area. I do like the lines of Choi's body (left foreground) showing clean, sensuous curves.

to be continued

Arrest No 4 - The Punk (part 5)

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 12
Another 'dual' picture, which is a neat way of summarising an orgy. Rocky and Jones have paired off and left Darryl to the new arrivals. We discover Choi has a nice line in sleazy dialogue (and him such a young lad too!) but as for Luna's contibution - suck my dick - oh dear! Once again here, it's the figure of Darryl that seems to have had the lion's share of the artists attention.

 13
 The foreground trio make a decent rough sex image, with an enjoyable conjunction of orgasms. I like the idea that Luna produces so much forceful cum that it sprays back out - that's funnyand sexy. Rocky and Jones at the back have been drawn in antique, Kama Sutra style - explanatory rather than realistic so they don't seem to fit. You may not spot it at first but Choi on the left is holding Rocky's foot - presumably to lick it, continuing the foot fetish ingredient that recurs throughout this series.

 14
The boys produce a glorious mess which Darryl wallows in. You can form your own opinions about the nature of the fluids flying around in this picture. The sprays seem to have the gloopy appearance of cum but there are large pools of yellow liquid on the floor (which I have gently highlighted, since the outlines were very indistinct). The original scanning process seems to have cropped important detail top left - as well as the artist's signature.

15
It turns out the whole thing was a set-up. Darryl is reunited with his swimwear - a nice detail. This ending is a bit disappointing for fetishists like me, but it's geared for publication in a magazine for general consumption of course, so we can't grumble about that, I suppose. The dialogue is a bit naff, the cop talks like a hairdresser who's just finished a pensioner's weekly perm!

My restoration effort on this picture revealed the yellow shorts in the officer's hand, it looked (to me at any rate) like a towel or rag before. The cop appears to be putting his wallet back into his pocket as though he has just paid Darryl - or perhaps it's just his pager.

*****

The images that I was originally missing from this series turned out to be less exciting than I had hoped but I am very glad to have found out more about the talented 'Keith'.  My 'restoration' exercise was fun for me and revealed elements in the pictures which I had previously missed. I hope it has made the work more accessible for others as well and that Keith will forgive me for messing around with his work, at least I have restored his name to the pictures.

Keith's work is hard to find on the web, he has two blogs 'KeithKatsIV' at tumblr and blogspot , they contain some examples of his work, but you need to search. There are recent postings about him with pix at GMBA2 as well (link in sidebar).

Arrest No 4 - In Black and White

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Keith produced his Punk Arrest series in watercolour or some similar medium and so my efforts at 'restoration' using pencils were always likely to be imperfect. The original colours have a comic-like brightness not completely ideal for raunchy subjects. It made me wonder what the images would look like in monotone so I produced some greyscale scans. The results (below) are not unpleasing.

I plan to republish the complete Punk Arrest series in greyscale like this at my mitchmen Yahoo! Group over the Christmas period (link in sidebar)



Arrest No 5 - Loitering with Intent

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 The notorious cop, Rio Majeska, got up horny this morning.
He's assigned to toilet patrol today.
As he dresses for work, he wonders what excitement this duty will bring.

 Today's victim turns out to be the rather delicious Peter Lovett, who's just returning home from dropping off the kids at school.  He's unbuttoned his jeans in the car to have a little fondle while he drives along and cruises the guys on the sidewalk. When he spots Rio hanging out at the toilets by the park, he is intrigued by the Cop's unusual garb so he stops and strikes up a conversation.

 Close proximity to Rio's uniform is soon making Peter's backside itch for a bit of action. He tries some subtle signals to see if the cop is up for it.

  
"Are you propositioning me, punk?!!!" snarls Rio. 
Peter realises he's made a mistake. 
 "No officer! You've got it wrong! Please don't arrest me!" he squeals, 
terrified of his secret life being exposed. 

Then he has an idea.

  "Tell you what Officer, why don't we pop back to my place for a coffee
and sort this out in a civilised fashion?"

Back at Peter's house, the cop is pretty uncompromising.
"You think you can change my mind with instant coffee and cheap excuses?
You'd better make that mouth useful, punk.
Show me how sorry you really are. Before I run you in!"

Peter panics,"I'll do anything!" he gushes,
tentatively sampling the proffered dripping tip.

  
As it turns out, the Cop is not satisfied that easily.  

"Your sucking's as lousy as your coffee", he complains,
"All you've done is get me all worked up, you stinking punk!"

"Turn around! Now!"

"Hmmmmn............., 

I think a piece of that ass might just the place to finish off".

Peter gulps and braces himself, 
"OK, but please don't hurt me, Officer" he grizzles

The cop does what he wants to do and lays back on the bed.
"You've got a hot ass, punk, that wasn't too bad" he says dreamily,
as Peter strokes and fondles him in the afterglow.

"You've given me a lesson I won't forget. It was so painful"
grovels Peter massaging his glowing ass-hole.

The cop just laughs at him.
"I guess I could overlook your behaviour - just this once", he concedes.

 "Gee, that's really good of you Officer. I'm so grateful."

The Cop gives him a hard look, "Sure, you make sure you remember that."

"Phew! What a reaming that was! I'll have a tender ring all week.
But at least it got me off the indecency charge.

Trust a cop to bugger off as soon as he's had what he wanted, though
..... leaving me to finish myself off......

 ...... mmgggh.....mmgggh.....mmggggh.......

..........Cripes, that's the wife, back already
and I haven't changed the bedsheets yet!"

THE END

The plots of these stories don't vary much. It's odd that the fantasy of 'sleeping with the enemy' has such an erotic power.
The reality of Police entrapment was much nastier.

Peter Lovett's homely masculinity makes this series a little bit special. 

Storyline by Mitchell for mitchmen.
Photos Courtesy of  Colt Studio Group

A-Z of Fetish Artists - Rorc

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Rorc - They met after a chat
Rorc is another artist who likes to express extremes, but in this case it's pure violence which is a little easier to get to grips with, but we start with a simple bondage image. Usually, there isn't a lot of sexual interaction in Rorc's pictures, they depict power relationships and the captor often remains dressed. This man has been tricked into being stripped and tied up and in subsequent pictures he suffers painful abuse (a recurring theme). Rorc shows real bodies, with normal muscles and organ sizes, in fact the captives are usually quite skinny-looking with visible rib cages and forgettable faces (not in this example, but see also below). In contrast the the captors are bigger, sometimes overweight and often have characterful Latin faces.

 
Rorc - He Spoke Too Much - 1
Rorc supplies a speech bubbles or other commentary to clarify the situation we are viewing, what has and what is about to happen. You will have noticed that his Spanish to English translations are a bit odd, but they are usually understandable and add immensely to the power of the pictures. They tell you Rorc is not just interested in the physical process of inflicting cruelty, but also in motivations and the effect of threats and fear on the victim (note his semi-aroused state in this example). In the sequel to this picture, the captive turns out to be a queer basher and Rorc depicts a violent attack on him in graphic detail, too unpleasant to show here. I empathise with the anger being expressed and don't disapprove of the statement, but for me it's not erotica. Interestingly Rorc makes the victim ejaculate but not the assailant.
 
Rorc - Together
In 'together' the captive is left to stew while his captor watches TV. The barbed wire restraint is a Rorc favourite but the fun is only just beginning here. At first sight Rorc's style is crude and naïve but considerable skill is apparent if you look at the careful rendering of the TV (a tricky shape in terms of perspective) and the other furniture in the room. The man slouching in the chair is nicely captured, his casual air is somewhat reminiscent of Palanca's crazy characters but without their sex appeal. The restrained captive has believable anatomy, the skinny look is not particularly alluring to me, but the detailing of his restraints and the stand he is attached to is quite remarkable considering the small scale. However, the elements of this picture don't quite gel together, a result of positioning, stylistic variations and the absence of any background or floor. This is Rorc's style and reflects his artistic interests, fair enough, but I just think 'if only...'
Rorc - Hazing
Hazing is more successful as a composition and illustrates Rorc's interest in piss humiliation rituals. These images tend to be more detached than his torture pictures where the agonised victim is a vociferous participant. This one may be based on a photograph and possibly be traced, it has that look about it. However, the result is original and it illustrates the essential simplicity of Rorc's style, the treatment of the beards is a fascinating simplification.

To find other examples of Rorc's work have a look in the GMBA2 archives (link in sidebar)

For other articles in this series click on the A-Z label below or use the search box to find a specific artist

A-Z of Fetish Artists - Roscoe

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 Roscoe - The Big Chair
My last major 'R' is another prominent commercial artist who produces a lot of work on the 'dads and sons' theme and this is reflected in my first example, a rather splendid spanking picture. The leather armchair is slightly oversized in this picture and this means it frames the whole composition very strongly, making a satisfying, balanced image. It also makes the 'father' look small in a Disney-esque sort of way, he can't even place his feet flat on the ground! Despite this, it's bulk seems to add gravity to the punishment rather than diminishing the man carrying it out. However, the older man's authoritarian credentials are compromised by the subtle, suggestive bulges in his underwear. This 'son' is less baby-faced than Roscoe usually draws but, typically, his portrayal combines characteristics of boyishness - over-size eyes and touselled hair - with signals of sexual allure - fleshy lips and luxuriant eye brows. He looks out to us, confused and appealing. I am a big fan of Roscoe's neat drawing style, the boy's lithe body shape and pert buns portrayed with silky skin tones are highly sensual.


 Roscoe - Cops Pissing
Roscoe is normally not so much a fetish artist as a portrayer of sexual romps for mainstream magazines. That jolly style infuses this urinal humiliation scene but the racial element in this picture gives it quite a serious political edge for it's time (2003). Of course the 'victim' in these matters is not supposed to look as if he's enjoying it but just to add to the ambiguity, Roscoe leaves the victim's pants on with no clues to his state of arousal. You sense that he likes to challenge taboos! On a purely erotic level, however, this hosing down of a captive's body is an intensely sexual idea and it's a subject where a drawing (with the benefit of exaggeration) can accomplish more than a photograph. The portrayal of liquids in any form, whether as sea, rain, body fluids, wetness etc, is a great challenge for the artist - whatever the medium. You can judge Roscoe's success for yourself.

Roscoe - Tongue Bath
'Tongue Bath' is in a more conventional, realistic style and despite the threatening boot in the groin it is free from any controversial overtones. It's a nice picture, but if anything it's a rather tame exposition of the subject matter suggested by the title. If you're giving (or receiving) a tongue bath, the knee must be one of the least interesting areas of the body to explore (both as a picture and in practice!) It's not a fetish that gets much exposure, apart from the foot variant (I'm disregarding licking of the sexual organs and usual erotic centres which hardly count as bathing)! Licking of the rest of the body and face can be intensely intimate, if you don't believe me get someone to lick your closed eye lids. If it makes you squirm, that makes you a prime candidate for getting it in my book! That's an illustration of the strange 'power' relationships in this fetish, the licker can be serving his partner, pleasuring him, in one part of the body but testing him in another with strange and unusual intimacies. What's more he leaves his spittle behind to mark his territory, which the recipient can feel as it dries on his skin. So just who is in control here?

 Roscoe - Innocent
A super image of a forceful sexual 'encounter' with a 'licking' ingredient as a bonus. I love the bondage element and the captive's helpless, up-ended, open legged position. His captor's half-hidden leg is braced on the marble platform, suggesting a controlled and prolonged pumping is in prospect while he savours his victim's foot as a side dish. The modern tattoos and piercings don't fit into this pseudo-historical setting (where presumably anything goes) but they do serve to establish a gulf in experience between the two men. This is underlined by the look of terror on the captive's face. Since he is fully aroused, we can suppose that this cringing reflects a miscalculation of his partner's size or enthusiasm rather than a lack of consent. But it hardly needs amplifying by giving him a youthful face as well, which only serves to draw us into muddier waters where consent is invalid - in any era.

Roscoe - Locker Room Spank
I finish where I started with the coach paddling his entire team for poor perfomance on the field. Naturally we arrive just as the baby-faced one is getting it but there's no age concerns here. The maturity of his team mates makes their humiliation all the more erotic and the 'buddy' element of witnessing shared punishment gives the picture a power dimension which isn't present in solo spanking. I love the portrayal of the adult coach who (as in the first spanking picture) looks his age but is allowed a (believable) trim body and flattering clothing. There's a sense of forcefulness, drama and pain here which is not always found in spanking images and spoilt only by the lad playing up to the audience (us!). The coach's left hand, suggesting he's quietly enjoying this close contact with his entire team more than he should, is a classic example of hidden eroticism (click link for previous examples).

Much to my surprise I cannot find any dedicated studio link for Roscoe's art but there's a good selection at Daddy's Here , his work appears at DelftBoysand in Handjobs magazine

For other articles in this series click on the A-Z label below or use the search box to find a specific artist

A-Z of Fetish Artists - Ruuich4n

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Ruuich4n - Taming His BF

Just to round off the 'R's, an excellent asian-style bondage picture. The interweaving of the bodies makes for a more exciting picture but is a challenge to the artist who often has to employ poses to achieve erotic effect which are physically impossible - like the arm reaching between the captive's body and leg here. It is well disguised. and generally, Ruui's anatomy is pretty good - always check the hands! The Shibari network of ropes is a form of 'hyper-bondage', harder to escape from and intended as a torture in it's own right. It is most erotic when it has a clear functional purpose and is not just decorative. The close-up, dramatic viewpoint is very effective but the pen and ink style is a bit austere for my taste (even with the added shading) although it does allow some excellent detailing, like the gag strap. Ruui is quite a prolific artist, I've not collected any other samples of his work but he posts at Deviant Art

For other articles in this series click on the A-Z label below or use the search box to find a specific artist

Arrest No 6 - Night Patrol

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Etienne's 'Night Patrol'is possibly one of the best known 'Erotic Arrest' stories, a classic. The first picture in the series (below) was one of my earliest experiences of gay erotic art. The image of the handsome young man allowing two cops to undress him made a tremendous impact on me, helping to inspire my own art.

1

The night patrol catch an unfortunate youth with his pants down. 
Etienne did other stories where the cops catch an amorous, heterosexual couple in a steamed-up car and, having scared off the girl, proceed to take advantage of the young man left behind. I believe this may be the storyline here too, although the pictures that follow suggest that the lad is sitting in the police car here, not his own vehicle. So it could equally a choir boy caught speeding to church practice and transferred to the cop's car to be booked.  Etienne captures the magic moment where the victim, faced with his exploits being made public (a considerable deterrent in the '60's) and a fine he can't afford, surrenders to the cops' blackmail.
Already, they are unwrapping their Christmas gift!

This is the best drawing in the series, Etienne has lovingly crafted an irresistable object of desire in this pretty young man with a wealth of sexy detail, from his floppy hair down to his sports shoes. The cops look a little bit comical, leaning in through the windows, but they are clearly powerful and mean - and certainly not ugly! Their maturity and authority is an important ingredient in what follows.

 2
 The cops waste no time in starting to exact their 'payment' from the bewildered young man, whose head is pulled out of the car to provide service. In this picture Etienne emulates Tom of Finland in disguising an impossible arrangement of objects, in this case the car door, which in the real world would completely block the space between the cop and the young man. In Etienne's universe it magically retracts into the background to allow the action to proceed. It's a quirk that doesn't really matter, the point of the picture is the nice sense of reluctance and revulsion on the part of the youth as he is forced to taste cop dick.

The picture sequence in this series is not obvious, there are numerous continuity issues but I'm putting this one as no 2 based on the cop on the left who seems to still be holding the shirt he has just taken off. However, I can't explain why they have switched to the other side of the car!

 3
The reluctant young man's head is unceremoniously rammed into the police officer's crotch. The cops thigh's engulf the poor boy's face - this is real deep throat. You can almost hear his muffled squeal of protest! He's probably unaware that his legs are invitingly splayed open, a sign of things to come.

4
In pictures 4&5 both cops have climbed inside the car and continue to force-feed their young victim who is extremely aroused by this rough treatment. Note that he has mysteriously got both legs in his jeans now after starting out with only one. 

Pictures 2-4 are drawn in Etienne's, pen and ink, 'Stephen' style. The detailing of the car interior here is suddenly very geometric and precise.

 5
In this curious picture, it's hard to tell if the front seat cop is punching, fisting or perhaps just spanking his victim, who looks close to tears - or perhaps it's the sight of the second cop unzipping in the back seat that dismays him so! The young man's exposed buttocks look delicious and the cop pulls him in closer, creating a memorable pose that is both intimate and threatening. For fellow geeks, note how the crossing legs create another 'impossible' conjunction of objects.


6
The young man is dragged from the car and made to service both cops together. His upper torso looks as tasty and inviting here as it did in the first picture. Golden showers might well be the order of the day here, but there is a good deal in this series which is left to the viewer's imagination. I find the youth's dick sprouting from a nest of pubes, but partly hidden, a very erotic device too, although the clumsy twist in the lower body has led some internet purists to crop it off entirely (along with the signature regrettably). 

This particular picture could appear almost anywhere in the closing sequence, the figures are shown a long way from the car (hence my water sports suggestion) but that doesn't really help to place the scene. From this point onwards, the second moustachio'd cop has removed his trousers (but see No 8 below)

 7
 The second cop takes his turn at close quarters while his pal moisturises his tool and uses the toe of his boot to prepare the point of entry. The rigid arching of the boy's body suggests he's still struggling to escape. The sudden appearance of the moon is an atmospheric but incongruous detail in this entirely unromantic scenario. I guess it signals the passing of time, night marching on as the ordeal continues.

Close inspection of the victim's impressive 'flagpole' suggests this picture has been tampered with, there's an object like a penis-head between his balls and the belly area behind doesn't look right either. If any reader has a better version I'd be interested to hear from them. 


8
The young man is well and truly shafted over the bonnet of the police car and you can see that he's not exactly taking it in his stride.Not Etienne's best drawing, but you can see where he's going with the wide open legs which suggest a total subjugation of the long suffering receiver. The helpless, passive pose harks back to picture 3 in a satisfying symmetry (which was probably not intentional). It's a real shame though, that the lad's temporarily lost his youthful, innocent appearance for this important moment.

 I have placed this picture after no 7 where the cop appears to be 'lubing-up'. Rear penetration is usually the 'coup de grace' in a story such as this - but cop no 2 at the back looks fully dressed here so it's possible this image belongs earlier, say at no 6 where it would mark the point of breaking the victim, despoiling his manhood and leading into a concluding series of humiliating degradations.


9
 The ultimate indignity for a straight boy? Perhaps, but this young man clearly isn't totally turned off by it. In fact he's been aroused all the way through the action, which is necessary for the sake of propriety, to show that he's enjoying 'the game' really. Usually in fetish stories, once sex gets under way all sense of coercion evaporates - as in the Keith 'punk' story for example (see Arrest No 4). But, in this tale, the victim's facial expressions do not show any enjoyment and this is the only picture where he is not being physically forced to submit. Even in this scene, the cop's knowing smile and backward thrust give a flavour of casual, malicious dominance. The young man's upward tilted head is surely the epitome of grovelling submission. 
He's certainly earned the cancellation of his ticket! 

Night Patrol is something of a flawed masterpiece, the quality of drawing fluctuates between extremes, even within the same picture but there are elements in most of the pictures which are pure, visual, erotic genius - even if they are imperfectly realised. There are continuity issues with clothing and positioning of the characters, but in a sense this is not a story, but a series of snapshots, impressions of events in a protracted process of torment, a wearing down of the unfortunate, undeserving victim. So picture sequence is perhaps not crucial to our enjoyment.

It pleases me that the characters remain partially clothed throughout, it helps to retain their identity and enhances their sexiness - just look at picture 9!. In addition Etienne's facial characterisations are impressive, there are 3 distinct looks here and while you can imagine meeting these cops in your local dungeon, doing similar, nasty things, you know the young man would never be seen there. He doesn't belong in such a place and he doesn't belong in this situation either which makes it all the more humiliating and unpleasant for him - but not for us!.

Astonishingly, handcuffs do not feature anywhere in this little epic, the victim is controlled entirely by the cop's authority and assertiveness. The unremitting sense of control and dominance throughout 'Night Patrol' makes it a uniquely daring take on the well used 'cop abuse' theme.

Jockspank Blog removed

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Wot, No Spanking Today?

I was disappointed to discover this morning that the Jockspank blog has been removed by Google - reasons not specified of course. Fortunately they have a back-up blog at  JockSpank2 which continues to publish sexy spanking pix, so I shall not have to find another place for my bottom spanking fix!

The Jockspank team seem to think it is just a glitch related to automated spam detectors (see article at link above), so I shall leave my original link in the sidebar in place for now, in the hope that the powers-that-be relent and restore them to life - as they did with mitchmen blog a couple of years ago. 

It's a good time to remind mitchmen blog readers that if this blog (or any of my sites) ever disappears you will be able to find me again most easily by visiting my 'portal' at http://mitchmen.com or join my Yahoo! Group - which is the best way to see my pictures anyway.


New Year - mitchmen style

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Don't you just hate being bossed around by those Bouncers?

Arrest No 7 - Piss Patrol - 1

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 This arrest and abuse sequence is taken from 'Weekend Lock-up', a 1977 Falcon video starring Al Parker, Will Seagars and an actor identified as 'Roy'.


1
Parker stops by the roadside to take a piss...... 
His choice of vehicle suggests this is a down-to-earth type of guy.


2
…...the piss stop develops into a sensuous manipulation session.....

At this time Parker's physique was lean and clean looking and his hair not as wild as it became later. I know many readers hate these high-waisted Y-fronts, but to me, the severely functional design suggests a practical garment not intended for public show, worn by a man who is normally modest.
Anyway asses look great in them when they are pulled up tight!

3
.Parker's ruminations have just bourne juicy fruit when he is interrupted 
by two cops who arrive catching him with his pants down.

4
The cops make him to correct his dress, then cuff him and run him in.
There's a short clip of the arrest sequence here.

to be continued

these images are copyright Falcon Studios

Arrest No 7 - Piss Patrol - part 2

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 5
Arriving at the local cop shop, Parker is forcibly bundled up the stairs by the cops who look as if they mean business. The narrow staircase isn't entirely convincing as an entrance to the Sheriff's office but it does make you wonder if something nasty awaits, at the top.

6
Inside, the officers begin to search their prisoner. As they say in the trade:-
“Are you carrying anything I ought to know about? (Sir?).”
Parker, securely handcuffed, can do nothing to resist their groping hands. His shirt is pulled open.

7
Parker can't quite understand what is going on, as his bare torso is examined in detail. The other cop's search homes in on a suspicious bulge in his jeans.
......the source of Parker's fame!

This groping of the hand-cuffed captive is so horny, especially if you can believe in the character as an 'ordinary guy' picked up for a minor infringement. Parker's shirt is open but it's still tucked into securely belted jeans, which gives these proceedings a strange, almost polite formality.

8
Parker is embarrassed by the intimate body search and makes a wise-crack, hoping to convince the cops that he's 'clean', but it only incenses them. They bundle him into a cell and bend him over to release him from the cuffs...and get a good look at his buns squeezed into those tight-fitting jeans. But they aren't about to let him go.

to be continued.....

Arrest No 7 - Piss Patrol - part 3

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 9
To Parker's surprise and horror, the cops now forcibly strip him of his clothes, 
right down to his underpants. 
Ostensibly it's to search them more thoroughly, but the cops enjoy the intimidating effect it has on young men who are new to the experience of being held in jail.

 10
As the cell gate clangs shut on him, a shocked Parker tries to see the funny side.
The cops go off with his clothes and he's left all alone,
wondering how long he's in for. 

  11
Time passes. 
Parker, lies on the bed and reflects on his foolishness. 
He thinks about all the things he should now be doing outside, 
meeting people, doing errands and chores.
He wonders what the cops are doing with his clothes
 and what other nasty surprises they may have in store
 Eventually, bored and anxious, he drifts off to sleep................zzzzz


 12
zzzzz…...............unaware that one of the cops, Seagars, 
has come back and is watching him.
Seagars can't get that bulge in Parker's jeans out of his mind

13
…..and it's starting to show

To be continued

Arrest No 7 - Piss Patrol - part 4

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 14
As soon as Parker has fallen into a deep sleep, Seagars enters the cell.
Breathing heavily, he begins to cut away Parker's white underpants.
Parker is dreaming, he turns restlessly, making it easier for the cop to ease the shredded underpants out from under his body.
The remains are tossed into the corner of the cell. 
Seagars begins to explore Parker's naked body.

15
Parker seems to sense Seagars' groping hands and slobbering mouth traversing his sleeping body, he becomes aroused in his sleep and gradually comes to,
finding the cop's hairy face is only inches away from his own.
“Jeez, man! What are you doing? What's happening?” he cries, shocked and still befuddled by sleep.
“Jest checkin' the evidence for our report”, chuckles Seagars. 

17
 Pushing Parker firmly back down on the bed, Seagars examines his rigid shaft.
“Officer Roy says it was a 10 incher we saw, but I reckoned 8 at the most.
We gotta get the detail exactly right for the Judge hearing your case, you understand.”

“A Judge?” gulps Parker, momentarily forgetting his revulsion at having Seagars rough beard scouring his groin, “I thought you'd let me off with just a warning!”
“Hell no. Not in these parts, buddy” replies Seagars. “You're going to jail!"

“Please, Officer you can't lock me up, I got family, I'll lose my job! I'll do anyth......”
Parker's pleas cut off abruptly as Seagars' mouth finds a sweet spot.
For a few moments the two men are joined in silent, mutual, erotic union.

17
Then Seagars stands up and begins unbuttoning his shirt,
“If yer wanna get outta here, I'm open to persuasion, buddy” he says, adding,
“You're being sensible. Round these parts it always pays to co-operate with the Police”.

18
As night begins to fall outside, Parker learns how to co-operate with the police.

Arrest No 7 - Piss Patrol - part 5

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 Suddenly the lights go on. “What the hell's going on here?”
It's Officer Roy, who's been wondering why Seagars has been gone so long.

 19
Parker anxiously watches, as the cops have an angry exchange outside his cell.

20
“You see,” Seagars says in a flustered voice,
“Parker was claiming extenuating circumstances”.
Roy weighs things up and looks unimpressed.
“Not exactly evidence I can put before the Judge, is it?”
Parker's heart lurches at the renewed threat of a long stint in jail.

 
 21
“So, what have you got to say for yourself, Parker?” demands Roy, “You seemed to be taking a close interest in Officer Seagars' cock when I arrived. 
Unnaturally close I might add.”

“Well Sir” stammers Parker, going bright red and absently reaching for the item in question as he gropes to come up with a plausible explanation. 

Seagars tries to help him out. “Parker was askin' about maybe getting just a warning this time, and he was wondering if......” 

“I'll deal with you later, Seagars” snaps Roy, waving him aside.
“Corrupting an Officer of the Law is a serious offence Parker, 
we're talking 5 years minimum.”

Parker gulps tearfully, “But I only....”.

“You only wanted to suck Officer Seagars dick, is that it? You wanna try mine too while you're at it?” and he plucks his stick out as though to tempt the prisoner. 

It's not clever. But it's very big.

 22
Parker hesitates. He's pretty confused and frightened, unsure if he's being offered a lifeline by Roy or a stick, with which he will be beaten. Seagars gives him an encouraging nudge in the back, so he swallows his pride, sinks to his knees, closes his eyes and opens his mouth.

“There, that wasn't so hard was it?” whispers Seagarsas Roy's shaft glides in.. 

“Nuurrgh” confirms the prisoner, though it does seem to be getting harder. Presumably that's a good sign.

'Make it good, baby,' thinks Seagars, 'make it good. You're playing for both of us now'.

to be continued
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