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| 1 |
Jeff passes out during the night and wakes on Day 4 to find he has been lowered and seated on a bench.
The chafing cock tie has been removed and his libido is in sprightly 'morning wood' mode,
apparently unimpaired by it's extended trauma (see end of Part 3).
This image will seem pretty tame to modern bondage afficionados but fans of the male body will enjoy Jeff's fleshy torso and the chunky thighs produced by his outstretched legs (and I dare say the impressive apparatus in-between as well).
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| 2 |
In this final part of this story Jeff is subjected to further restraint, which is more imagined than real.
Thus these last two images seem to simulate the effects of diagonal racking and crucifixion without ever going there. Jeff's flexed feet are a particularly eloquent element. It's as if he's awoken to a nightmare of pain, which was set up while he slept.
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| 3 |
The persistence of his erection suggests that the idea excites him.
But a sterner test is to follow.
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| 4 |
Now he's laid upon a bench with his chained arms pulled upwards behind him.
Levering the shoulder joint, it forces the torso down and can become very painful.
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5
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Jeff's flailing feet signal the discomfort caused when the arms are tweaked upwards.
His ankles have been fettered like this throughout but this is a good close-up.
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| 6 |
When the feet are restrained astride the bench the leverage on the arms cannot be moderated by adjusting the body. In addition Jeff's ass is fully displayed and his cock has been pulled down, so it too is fully visible in a position that is unnatural and uncomfortable. Once again Jeff's raging erection is used to punish him. But he is also well aware that this area is an open target should his interrogator wish to attack it - so too the fleshy backs of his thighs and even the soles of his feet.
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| 7 |
As his tormentor circles behind him, Jeff can only brace himself,
fearing there may be interference of the crudest kind,
or painful beating of his lower body
or further agonising leverage of his arms.
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| 8 |
Pain duly manifests itself.
Jeff's resistance is starting to crumble.
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| 9 |
Next Jeff is moved to a position tethered, facing downwards, between the uprights of the frame.
It's a minimal restraint really, notionally resembling the in-line racking position.
There's no stretching, but Jeff's movement is sufficiently restricted to allow his tormentor free access.
He can administer punishing strokes to the whole of the back of Jeff's body,
from his shoulders right down to the soles of his feet.
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| 10 |
Which producing deliciously clenched buttocks with a sheen of nervous sweat
trembling in anticipation - or searing in the aftermath.
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| 11 |
The clenching of his thighs here creates a thickening worthy of a rugby player.
The post rising between his feet accentuates the anchoring of ankles
and the tempting openness of his legs.
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| 12 |
Eventually Jeff does confess to his crime,.
His captor reveals that he has a private licence to requisition minor felons as indentured labour.
Jeff feared this all along, it means enslavement from which he may never be freed.
A rope is tied round his neck, symbolic of the chains which will become his eternal companions,
once a buyer has been found for him.
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| 13 |
He begins to fantasise about what sort of man might buy him.
Will he be kind or cruel? Will he beat him or nurture him?
Will he be condemned to labour in the fields or to lie in his master's bed?
Jeff's irrepresible libido takes all these possibilities in it's stride.
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| 14 |
Already the slave manacles have been put on his wrists.
As he is led away to await collection by the Auctioneer,
Jeff looks back at the place where his downfall was engineered,
His clothes which were stripped from him lie on the floor.
But they are gone forever, along with all his other possesions.
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| 15 |
That night in a cold, lonely cell, he seeks a last consolation
in an act which is likely to be denied him, or at any rate, rationed
once the State declares that he belongs to another man.
~
I have adapted the ending of this story to the enslavement scenario which seemed an ideal fit for these last images. The format and variety of 'restraint' positions illustrated here are typical of the 'Bound to Please' series. Jeff Golden's serial torment is paired with that of Rod Garetto in Number 1 of the series and I hope to posts extracts from that sometime (also featuring nice underpants).
'Bound to Please No 1' seems to have been delisted from the Bacchus Studio catalogue. It is listed for streaming at Gay Hot Movies and my browser doesn't throw up any issues with this site, but I can't vouch for it. Also rentable at iafd. Sometimes available to buy secondhand at Adult DVD Marketplace.
The mitchmen, 'Vintage Bondage' Series:
There's also some retro stuff in my
Muscles and Rope series, notably
No 11 (Steve Landless by Zeus),
No 15 (Robert Black at CanAm & Beau Hopkins at Zeus),
No 19 (Can-Am) and
No 20 (Rocco De Vega, Zeus). This group highlights the issue at what point does a picture become vintage?
