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Taken Off The Streets - 3

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I hope readers will forgive me for dwelling on BF underwear scenes a little longer.
In erotic imagery we're usually limited to fleeting glimpses of these garments. 
It's not unknown for them to magically vanish, just when it starts to get interesting.
At BF we have the luxury of a producer who gives them a fair share of the limelight


Underwear and contents are right to the fore in this picture. Ed seems surprisingly relaxed about his unplanned captivity, possibly that's because a nice young man has come to run his hands over him.
Do I sense a stirring in those underpants?

  
For Terry here, the preliminaries have become a little more intimate.
But he too seems content to watch the tentative explorations of his captor.



Vincent should have already realised from his undignified, over the desk position that his ass is in jeopardy.
But his flushed face suggests that those fingers are giving him an extra nervous tingle down there.


 Whereas Will is well past the tingling stage.
This rough, hair pulling, strong arm treatment bodes ill for his modesty.

Notice that these men are all wearing identical, white underpants with a characteristic blue line at the top of the waistband. Is this another clothes sharing situation?
(click the 'sharing' label below if you don't know what this is)


Apparently these pants are not for sharing.
 Will does indeed lose his modesty in most spectacular fashion
as his underpants are brutally ripped open.


Leaving him perfectly poised for a noisy, naked paddling.


This is Danny on his pedestal.
He's waiting to be seen to, with an understandably apprehensive look on his face.
It's a great image which I singled out for my 'Beautifully Bound' series a few days ago.


This image tells you that this is a photographer who appreciates underpants.
The lifted feet result from attaching Danny's ankles to his neck with a noose-like restraint.
 
 

Sadly Danny's sexy underpants are not destined to accompany him all the way through this.
Once they've served their purpose of getting us anticipating, they become dispensable.
But as with Will, they don't just vanish, nor are they casually discarded.
Instead they are ceremonially dispatched, ripped open by brute force.
Opening the way for the fickle finger(s) of fate.


It takes a certain type of man to understand what a gynaecological chair is used for and it would be daunting indeed for such a man to find himself strapped into one. Dan here seems suitably intimidated by the medical overtones. If he could see how tempting his ass looks in those slightly see-through white underpants he might be even more worried.


For me, the delicacy of this touch is so much more erotic than rough grabbing and pulling.
A declaration of interest that the target can feel and fear, even if he does not fully understand why.
 

The ravaging of Dan's underwear is more restrained too. It simply exposes his rosebud, which is hairy enough to suggest a certain conservatism or naivety in sexual matters. You can speculate about what is going on in that mound between his legs. It remains neatly contained, which serves to highlight the involuntary exposure down below. 
Dan's puzzlement takes on a resentful air as he digests the indignity.



Dan's mindset would not have to be especially conventional to find this development surprising.
Like the chair itself, enemas are women's stuff for most men, alien, ill understood and scary.
Being subjected to one by a stranger is uncomfortable and demeaning anyway.
Dan will learn that it's a strange and deeply invasive experience to feel coolness permeating within.
 He has no inkling yet that in this perverse arena the ability to retain, under pressure, is paramount.
Bring on the cane.


In this picture Martin's pants are destroyed with scissors, whose blades alone are intimidating in that neck of the woods. The captive may be trembling inside but he knows he had better concentrate and stay still. 
There's a sense of shared intimacy in this picture, mentorship almost, which is quite nice. 

Being nipple clipped and deprived of your underpants while still dressed in the formal work attire of shirt and tie must feel bizarre and doubly invasive. BF seems to have a grasp of psychological eroticism which isn't apparent with other studios.


Unlike the other models, Vincent isn't carried off to a bare warehouse to receive his treatment, he gets a house call. Being tied up and molested in your own home is a common gay fantasy. It's doubly invasive however and carries the additional anxiety of being disturbed by other members of the household. How could he possibly explain this? His captor gags him to save him the trouble.....

 
....and dispatches his underpants with clinical precision in a photograph that's remarkable for it's clarity. This photographer understands that the shredding of underwear is a highly erotic moment for on-lookers and needs to be focused on. He seems to have captured similar excitement on the part of the victim.
  
The domestic setting makes this unannounced lashing seem doubly electric. Utilising the stairs as a vantage point accentuates the incongruity, it's as though a fellow resident descending has stumbled on the shocking scene. This angle also makes the most of Vincent's muscular, tattooed back and cute butt. Suddenly we get the impression of a powerful, streetwise man tamed rather than a hapless victim. 
This is a rather special sequence.

There's more of Vincent to come

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