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Darryl is cuffed and made to grovel,while the arresting Officerexamines his discarded swimsuit like a sniffer dog. One suspects that the baton casually angled towards Darryl's rear may also be involved in the cavity search. From this angle, the earlier threat to wax his ass appears to be not entirely without merit! A second Officer looks on, leaning casually on the police car at a somewhat improbable angle, but he looks very handsome in his sun-glasses and slightly menacing. It's a nice study. There's almost two pictures in one here with a slight discontinuity in perspectives between foreground and background (there's a similar effect in picture 2)
I think this must be the quintessential 'short shorts' picture. We get a splendid rear view showing buns tightly cupped and divided by the centre seam and in the background, a front view with lump, highlighted by creasing lines and the fly seam diving into the groin. The turn ups on the legs are a great touch emphasising the cop's meaty thighs.
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Back at the station the inevitable occurs as Officer 'Rocky' delivers his ultimatum and, anticipating a positive response, begins to shrug off his shirt. Officer Jones produces his own baton. This is a centrepiece drawing of the set but is not entirely successful, Darryl's starting to look a little musclebound and Rocky's strip act isn't quite right, but I like the way the underside of his thighs catch on the edge of the desk.
I really struggled with clarifying this picture, the original was very faded and blurry and Keith, the artist, relied a lot on just colours to create boundaries and shading. My addition of hard lines looks heavy handed in places but I say in my defence that the bright orange and brown background colours on the scan I'm working from needed to be contained and pushed back. I added quite a lot of over-shading on the bodies to show the musculature and restored some hair on Rocky's body which was very faint. Apologies to the artist!
