More Art by Aizenhower

Disney's official packaging of Kristoff in heavy winter gear is unlikely to stir the senses but Aizenhower extracts and magnifies his sexual presence that simmers, neglected throughout the film. Juxtaposed against his co-stars in the film (top image, above), this first glimpse of him naked is almost as shocking to the viewer as it obviously is to the imaginary heroines. 

The reaction of the coachman at the back is harder to read!

This image stays closer to his film persona - a man inclined to cute boyishness and out of his depth in the sumptuous extravagance of the Palace. This babyish baring of his feet is not in the film. Is it a ploy to alleviate his boredom by attracting the attention of a passing 'footman'? 

Note the hairy legs, this character is a real man.

Aizenhower - Kristoff Bares All

This doesn't actually happen in the film either, 

certainly not with Anna, his romantic counterpart.

It's no surprise to find bulk under his clothing,

though perhaps not as muscular and alluring as this.

'Frozen' gives Kristoff little in the way of male interest to reciprocate his imagined gay leanings, 

so Aizenhower has transplanted him into the world of 'Tangled' for this fan image.

Here he's paired off with one of The Stabbington Brothers. 

According to Disney fandom, the Stabbingtons are "are twins with muscular bodies, fair skin, red hair, light blue eyes, big eyebrows, big noses, and big jaws". So far so good but they are also described as brutish thieves, the clue is in the name, I guess. That makes this encounter in a weirdly romantic setting very interesting indeed. 

Feet figure again in this picture here. 

I'm puzzled as to why they are dipped in the sparkling stream, but I can see that it is kinda sexy

Perhaps it's something that happens in 'Tangled', but I haven't seen it. (Honest!)

In Part 1 of this post I featured a number of Aizenhower's images from his 'The Legend of Korra' series and this is another, with the hapless hero, Bolin, playing top for a change. It's quite a complex image which gives the initial impression of him applying a wrestling 'Nelson' hold to persuade a reluctant partner. Closer inspection reveals a very different sort of restraint, a slightly puzzling one. 

Nevertheless, it's a powerful image of two men coming together in high excitement. 

The tables are turned on Bolin here, it seems, but I don't think he minds. 

A remarkably energetic and affecting image, considering it doesn't really show very much!

In Aizehower's world all heroes have to succumb to the villains at some point.

Here the Commander takes his medicine in a very steamy scene.

Invasive medical inspections are another favoured topic for this artist (see Part 1). 

This one, unusually, is taking place on the floor with the medic astride his subject. It creates a marvellous impression of a reluctant patient being firmly treated by a very determined medic. 

The patient's erotic response seems to be the root of the problem and it's clearly an embarrassment.  

The medic can hardly fail to be aware of it, he appears to be enjoying every minute.

This images features two characters, Jet Black and Spike Spiegel, who are the captain and crew of the spaceship Bebop (from Cowboy Bebop which was a controversial Japanese, TV, animated series about space bounty hunters). 

Aizenhower shows them in what seems to be a seduction, sensitively handled by Jet, the older man. Although there's a striking inter-generational gap, Spike is actually 27 years old in the context of the story - and straight! As a bounty hunter he ought to be well able to stand up for himself,  but the boredom of being cooped up on those long space flights can do things to the toughest of men.

Aizenhower's 'Space Dandy' is a trifle too eccentric for my personal taste, but he does possess one characteristic that I would never ignore - a great ass! What's that saying about the fire and the mantlepiece? In this image it seems like a space alien has also spotted the same attraction via some sort of spying device.

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