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Superhero by Deon

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I rather like Felix D'Eon's eclectic range of artistic styles which encompass various, traditional, 'old-fashioned' techniques, sometimes imitating them for subjects they were never intended for. These two examples of his 'vintage comic' style are good examples in a mode from a bygone era, aimed then at younger people, but here featuring mature subjects and mature men (and he makes such a good job of showing that he understands their attractions you wonder why he bothers so much with fledglings).

The superhero here is El Oso, The Bear. Hence the paw on the front of his suit. I love the way D'Eon has subverted the clean cut (American) view of  such men with the very gay iconography of a romantic, chunky 'bear' finding his mate (I nearly said cub but that would be an inappropriate word after what I said above!). He's been whisked away from danger clad, appropriately enough, in just his very traditional, white Y-fronts which are betraying his own inner feelings. It's a splendid recognition that ordinary men are admirable and sexy too.

The drawing here doesn't have to be spot-on but the perspective treatment of the fleeing arsonist down below is pretty natty (and very much in accord with the chosen style). The trail of El Oso's flight however is less impressive, suggesting that the great man is flying sideways. Maybe he is, or maybe it's an imitation of the naivety in 1950's originals, but whichever the case I'm glad I'm not the only artist who draws himself into a corner sometimes!

In the Spanish dialogue here, 'chispas' is an expression of anger, "i mi plan ha sido arruinado por el oso" simply means "and my plan has been ruined by The Bear". The shrine to the virgin on the front lawn is another Spanish feature.



This picture picks up another typical genre paired with this comic style, the western. I don't think men in union suits with plunging necklines ever featured in those original cowboy comics. It's a mode of dress that always seems deliciously seedy and earthy, thanks partly to those realist cowboy films that depict them as underwear that is never taken off or washed. I like that this cowboy has donned his best boots and hat for his morning constitutional on the front porch. 
 (I confess I'm not exactly sure what a morning 'Joe' is, J/O?). 

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